Grateful Dead
1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995
Jerry Garcia

Other

1969
02.27.69 II of II Fillmore West, San Francisco, CA
Source: SBD multitrack Lineage: 16-Track Master Reel > Rough Mix DAT > DATx3 > Digital Sound Card > WAV > SHN > WAV > Cool Edit > CDWAV > SHN
05.03.69 ? Winterland, San Francisco, CA 1
12.20.69 Ip & IIp Fillmore Auditorium, San Francisco, CA 1 S:MR > cassette > DAT > CD > SHN
12.21.69 only 1 set (partial) Fillmore Auditorium, San Francisco, CA 1 S:MR > cassette > DAT > CD > SHN
12.26.69 only set I McFarlin Auditorium, SMU Dallas, TX 1 MSR>C>DAT>CDr; Notes: There are cuts at the beginning of China Cat, the end of Dark Star (midway through the second verse of lyrics), and the beginning of New Speedway Boogie. These cuts are on all circulating versions.

1970
01.02.70A & B Both Shows Winterland Arena, San Francisco, CA 3 SBD
04.15.70 I of I Winterland Arena, San Francisco, CA SBD
06.13.70 Partial Show Red Vest, Oahu, HI 1 Source: MSR>reel>DAT>CDR>SHN; Transfer: DAE (Toast Audio Extracter) > Mac (Peak/Waves) > SHN
09.19.70 partial Filmore East, NY, NY 2
Primary Source: MAR(Taped by Marty Weinberg, AKG190E>Uher 400L) > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01)>flac encoding; D1T1 0:00-0:22; D1T2 0:00-0:16 & 3:24-3:26; D1T3 0:00-0:07 & 10:09-10:11; D1T4 0:00-0:07 & 5:49-5:54; D1T5 & D1T6; D2T1 0:00-0:15; D2T3 0:32-end & D2T4 = Master audience cassette (Taped by Jack Toner, Sony TC-110 with built-in microphone) > reel > cassette > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding
1
1.16.70 I of I Fillmore East, New York, NY 1 MSR>10" 1/4 track Reel @ 7.5 ips>DAT>CDR>Alesis Masterlink
ML9600>CD>EAC>Cool Edit>.SHN>CDR). I removed the Elton John material and added the //Good Lovin' w/ Hot Tuna w/ Papa John Creach at the end of discs two (the source for the //Good Lovin' is MAR> Reel x2>CDR).

1971
04.17.71 II of II Dillon Gym, Princeton University, Princeton, NJ 3 SBD
08.14.71 II of II Berkeley Community Theater, Berkeley, CA 2 SBD MR>DAT>CD
10.21.71 partial of set II Auditorium Theatre, Chicago, IL 1 MSR>C>D>CD
10.29.71 only set II Allan Theater, Cleveland, OH I MSR>DAT>CDR
11.12.71 II of II San Antonio Civic Auditorium, San Antonio, TX 2 MSR>DAT>CDR
11.14.71 II of II Texas Christian University, Fort Worth, TX 2
SBD -> Master Reel (10 inch) -> CD -> Sonic Solutions -> CD -> EAC -> SHN
11.15.71 partial of set I Austin Municipal Auditorium, Austin, TX 1 MR>C>SONIC>CDR
12.04.71 II of II Felt Forum, Madison Square Garden, NY, NY 2 SBD>MR>DAT>C>DAT>CDR
12.05.71 II of II Felt Forum, Madison Square Garden, NY, NY 3 Pre-FM > MR > DAT > CD
12.06.71 II of II Felt Forum, Madison Square Garden, NY, NY 3 MSR>DAT>CD
12.07.71 II of II Felt Forum, Madison Square Garden, NY, NY 2 SBD -> MR @ 10 IPS -> DAT -> CD

1972
04.17.72 partial of I & II Tivoli Concert Hall, Copenhagen, Denmark 2 VCD
07.18.72 III of III Roosevelt Stadium, Jersey City, NJ 4 Main Source: MSR>C>D>CD; Patches: D3T04 03:35 - 06:36 and D4T05 thru D4T07, MAC>?>R>D>CD (A>D transfer by Noah Weiner; Source switches to MAC>?>C>D where the reel ends at 6:17 of GDTRFB. Not Fade away cuts very near end.
08.27.72 III of III Old Renaissance Fairground, Veneta OR 3 Linea
ge: SBD->two-track MR->DAT->Sonic Solutions->CDR->EAC->Sound Forge Edit (analog pop removal using pencil tool)->Sound Forge Pitch Shift (antialias filter followed by pitch shift of +19 cents)
09.21.72 II of II The Spectrum, Philadelhia, PA 4 SBD
09.26.72 II of II
Stanley Theater, Jersey City, NJ 3 Source: MSR>unknown dat gens>digital noise reduction>3dat gens>za/2 48-41; Donor comments: "This represents the best known lineage of this show, and the most complete; Patch : MAC > Cx > DAT > WAV >SHN; d1t07 - Cumberland Blues [06:07] - audience splice patches the missing gap on the SBD source from 02:14 - 03:54; s3t01 - Truckin' > Other One Jam [34:51]
09.27.72 II of II Stanley Theater, Jersey City, NJ 3 Dick's Picks 11
10.18.72 II of II Fox Theatre, St. Louis, MO 3 MR>Cass>DAT>CD>EAC>CDR (bunch of EACs)
12.31.72 II of II Winterland Arena, San Francisco, CA 4 Pre-FM

1973
02.21.73 II of II Assembly Hall, U. of IL, Champaign-Urbana, IL 3 MSR>C>D>CD
02.24.73 partial of set I Field House, U. of Iowa, Iowa City, IA 1 SBD>MR>DAT>CDR - (contains just 4 tunes: /El Paso, Box, TN Jed, Playin’)
03.24.73 II of II The Spectrum, Philadelphia, PA 4 Source: SBD
03.26.73 II of II Baltimore Civic Center, Baltimore, MD 3 SBD MR > DAT > CDR > EAC > SHN >CDR >EAC > CDR (bunch of EACs)
03.31.73 partial of set II War Memorial Auditorium, Buffalo, NY 3 Updated source: Master Soundboard Reel > Cassette > DAT > CD-R
(had been marked Master Soundboard Cassette > Cassette > DAT > CD-R)
04.02.73 II of II Boston Garden, Boston, MA 3
04.02.73 II of II Boston Garden, Boston, MA 3 SBD -> Rm (7.5 ips/2 Track) -> Dat -> Dat
06.10.73 III of III RFK Stadium, Washington, DC 4
06.22.73 II of II P.N.E. Coliseum, Vancouver, British Columbia, Canada 4
MSR>PCM>DAT>CD>EAC>WAV>SHN supplies Bertha through cut in The Other One (d4t04); MAC>R>R>CD>DAT>WAV>SHN supplies various patches and Johnny B. Goode (see below); MSR>C>DAT>CD>EAC>WAV>SHN supplies end of The Other One (d4t04) through end of set 2
07.01.73 II of II Universal Amphitheater, Universal City, CA 2 DAUD>Sony ec M22P mics>Sony 770 MR>R1>DAT>CDR
09.15.73 only set II Civic Centre, Providence, RI 2
11.17.73 II of II Pauley Pavillion, UCLA, Los Angeles, CA 3 SBD>MR>C>DAT>CDR>EAC>SHN
12.01.73 II of II Boston Music Hall, Boston, MA 3 SBD>MR>DAT>Sonic Solutions>CDR - (show also contains two tunes from the soundcheck: Blue Suede Shoes and Working Man’s Blues)
12.06.73 II of II Cleveland Convention Center, Cleveland, OH 3 Source: SBD; Lineage: S:MR > cassette > DAT > CD > EAC > SHN

1974
02.23.74 II of II Winterland Arena, San Francisco, CA 3 SBD > Reel > PCM > DAT > CD > EAC > SHN
05.21.74 I of II Hec. S. Edmundson Pavilion, U. of Wa., Seattle, WA IPOD
06.18.74 II of II Freedom Hall, Louisville, KY 3 Lineage: S:MR>DAT>ZA2>SHN
06.22.74 II of II Jai-Alai Fronton, Miami, FL 3 AUDMC>?>DAT/1>HD>SHN>CD
06.23.74 II of II Jai-Alai Fronton, Miami, FL 3 AUDMR>R>DAT/1>HD>SHN>CD Recorded by Neil Merin - unknown mics > Uhrer 5" master reel
06.30.74 II of II Springfield Civic Center, Springfield, MA 3 SBD> MR> cass> DATx2> ZA2> CDRx1> EAC> SHN
07.27.74 II of II Roanoke Civic Center, Roanoke, VA 2 SBD>MR>C>DAT>CDR
08.06.74 II of II Roosevelt Stadium, Jersey City, NJ 4 MR > DAT > CD > Sonic Solutions > CD (latest & gratest version)
09.21.74 II of II Palais des Sports, Paris, France 3
SBD>MReel>Reel>Dat; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC
10.19.74 II of II Winterland Arena, San Francisco, CA 3 MR > DAT > CD

1975
06.17.75 II of II Winterland Arena, San Francisco, CA 2 AUD CM>DAT>CD;
Recorded by Rob Bertrando; Sony ECM-280 mics > Sony TC-152 SD cassette > playback on Nak Dragon > DAT; audience from Winterland floor, about 30-35' back, just to the left of dead center

1976
06.10.76 II of II Boston Music Hall, Boston, MA 3 AKG 1000Es>Sony TC-152; Recorded by Jimmy Warburton
06.11.76 II of II Boston Music Hall, Boston, MA 3 AKG 200Es> Sony TC-153, mics split along front of loge. Recorded by Jerry Moore
06.14.76 II of II Beacon Theatre, NY, NY 3 SBD Reels>D>CD-R (bunch of EACs>CDR)
06.15.76 II of II Beacon Theatre, NY, NY 3 Source: SBD>Master Reel>PCM>DAT; Transfer: DAT> WAV (via TB Fiji S/PDIF) > SHN
06.28.76 II of II Auditorium Theatre, Chicago, IL 3 AUDMC>Reel>WAV>SHN; Shure 545s> Nak 550 via Bob Wagner
10.02.76 II of II Riverfront Coliseum, Cincinnati, OH 3 not-Moore recording
10.09.76 II of II Oakland, Coliseum, Oakland, CA 2 Source: S:GDH PreFM DAT>ZA2>DartPro32 de-hiss w/ 2.7 gain> CD>EAC>SHN
12.31.76 II of II Cow Palace, Daly City, CA 3 L
ineage: PreFMR (KSAN) > PCM > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)

1977
02.26.77 II of II Swing Auditorium, San Bernardino, CA 3
02.26.77 II of II Swing Auditorium, San Bernardino, CA 3 SBD > MR > PCM > DAT > CD-R > EAC > SHN
03.18.77 II of II Winterland Arena, San Francisco, CA 3 SBDMR @ 7.5 ips>DAT>CD>EAC>SHN; Audience info: Master (R. Bertrando Sony ECM-270/TC-152SD) Cassette>DAT>CD>EAC>SHN
03.19.77 II of II Winterland Arena, San Francisco, CA 3
SBD>MR>DAT>DAT>Sonic Solutions>CDR
04.22.77 II of II Spectrum, Philadelphia, PA 2 FOB: Sony ECM99A mics > Sony TC152 > Cass > DAT > CDR
04.23.77 II of II Springfield Civic Center, Springfield, MA 3 SBD-> MR-> DAT-> CD, with AUD patch on reel splice (FOB Sony ECM99A mics-> Sony TC152-> DAT-> CD)
04.26.77 partial of I & II Capitol Theatre, Passaic, N.J 1 vcd
04.27.77 II of II Capitol Theatre, Passaic, NJ 3 Pre-FM Master Reel SBD->DAT x ? FM Master Reel Soundboard->VHS->DAT x ?; (patch for beginning of Promised Land up to "Georgia Sate.");
Transfer:DAT->ZA2->Soundforge->.wav->mkw->SHN
05.4.77 II of II The Palladium, New York, NY 2 1st set: SBD>CASSM>R?>DAT; 2nd set: MR>DAT>DAT>CD (Gans Source); BEW: MRSBD>CDR
05.5.77 II of II Veterans Memorial Coliseum, New Haven, CT 3 Source: 7" 2-track BBD reel w/DBX-1 @ 7.5 ips > PCM501ES@ 44.055 kHz;
CM501ES analog out > Panasonic SV-3700 @ 48 kHz > Db 924 96kHz/24bit D/A > Dolby 361 module w/ DBX K9-22 cards (DBX decoded) > Db 1225 96kHz/24bit A/D > Db 3000s noise shaper/SBM > Panasonic SV-4100 > Panasonic SV-3700 > Sony PCM-R300 > Sony PCM-R300 (new transfer by R. Eaton as of 02/98)DAT > WAV > SHN: Dan Stephens (dms@well.com)Tascam DA-20mkII > Delta DiO 2448 > SoundForge 4.5 (48-44.1, highest accuracy with-anti-alias filter) > CDWAV > MKW Audio Compression Tool v0.97b1 (no DAE)
05.7.77 II of II Boston Garden, Boston, MA 3 Soundboard Recording; Digital encoding and DBX decoding by Rob Eaton; CD editing and mastering by The Wizard
05.8.77 II of II Barton Hall, Cornell University, Ithaca, NY 3 Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony
PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console) > DB 300S>Panasonic 4100 DAT>DAT>Digi Coax cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster); Audience Portion -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen reel>played directly to hard drive. The excellent aud splices were normalized and patched using ProTools by Karen Hicks
05.9.77 II of II War Memorial Auditorium, Buffalo, NY 3 S:bReel>P>D>CD
05.17.77 II of II Coliseum, University of Alabama, Tuscaloosa, AL 3
SBDMR > DAT > CD > EAC > SHN
05.19.77 II of II Fox Theatre, Atlanta, GA 3
05.25.77 II of II The Mosque, Richmond, VA 3
06.07.77 II of II Winterland Arena, San Francisco, CA 3 Soundboard -> Vault Reels ->DAT -> David Gans' Sonic Solutions Digital Editing-> CDR -> EAC -> CDR -> EAC -> SHN; via Darrin Sacks; unpatched reel cut in Peggy-O (~7:28-34); reel cut in UJB patched by slightly higher-pitch AUD
06.08.77 II of II Winterland Arena, San Francisco, CA 3 Source: M
aster Soundboard Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD; Transfer Info:
CD -> EAC -> Samplitude v7.02 Profesional -> SHN; Patch Info: AKG D224 -> Master Reel (Tandberg 10XD) -> Reel -> Dat -> CD; Patch in d3t01 (The Other One) from 12:41-13:08 All other reel flips take place between songs, no patches needed
06.09.77 II of II Winterland Arena, San Francisco, CA 3
10.16.77 II of II Assembly Center, LSU, Baton Rouge, LA 3 SBD>MR>C>D>CD
10.29.77 II of II Evans Field House, Northern Illinois University, DeKalb, IL 3 Source: SBD > Reel > DAT > WAV (via TB Fiji S/PDIF) > SHN
11.2.77 II of II Field House, Seneca College, Toronto 2 CD->EAC->SHN; Soundboard Reel->CD->TC2000 EQ-> Sonic Solutions->CD->EAC->SHN; TC2000 Equalizer Used To Brighten Up The Rather Dull Sound
11.04.77 II of II Cotterell Gym, Colgate U., Hamilton, NY 3 SBD: MR>DAT>CDR>SHN
11.05.77 II of II Community War Memorial, Rochester, NY 3
11.06.77 II of II Broome County Arena, Binghamton, NY 3 Source: Reel->DAT->CDR; Transfer: EAC->Shorten 32 - By Doug Nawrocki
12.27.77 II of II (no encore) Winterland Arena, San Francisco, CA 3 MSR>>DAT>Sonic Solutions remastering>CDR - missing Samson

1978
01.10.78 II of II
Shrine Auditorium, Los Angeles 3 SBD>MC>?>CD>EAC>SHN
01.22.78 II of II (partial) McArthur Court, University of Oregon, Eugene, OR 3
04.12.78 II of II Cameron Indoor Stadium, Duke U., Durham, NC 3 SBD>MR>PCM>D>CD>Toast Audio Extractor>Peak>SHN
04.16.78 II of II Huntington Civic Center, Huntington, WV 2 SBD> Reel > PCM> DAT> CDR> SHN (bunch of EACs>CDR)
04.19.78 II of II Veterans Memorial Hall, Columbus, OH 3 MSR> DAT > Sonic > CD
04.24.78 II of II Horton Field House, IL U, Normal, IL 3 SBDMC (betty’s) >DAT > CASS > DAT > CDR
05.11.78 II of II Springfield Civic Center, Springfield, MA 3 5.16.78 only set II Uptown Theatre, Chicago, IL 2 nak 700 mics > nak 550 cassette deck center lodge
07.8.78 II of II Red Rocks Amphitheatre, Morrison, CO 3 SBD>DAT>CDR
09.2.78 II of II Giants Stadium, East Rutherford, NJ 3 Set I:
Uunknown gen reel>CD. AMCass>DAT>CD provides patch for last 35 seconds of LLRain, and from 4:51 in Sugar Mag to end of show. The AUD used to patch is Keith Gatto's recording (Shure SM57s>Sony TC158); Set II: SBD:MC>Cas>DAT>CD, One More Saturday Night encore is again taken from Keith Gatto's recording
09.16.78 II of II Giza Sound & Light Theatre, Cairo, Egypt 3
10.17.78 II of II Winterland Arena, San Francisco, CA 2 SBDMR> PCM> DAT> CD
10.20.78 II of II Winterland Arena, San Francisco, CA 3 MSR > P > D > CD
12.28.78 II of II Golden Hall Convention and Performing Arts Center, San Diego, CA 3
MAR (Taped by Greg Schug, 2 Neumann SM69 mics > Nagra 45 half track, on Maxell UD at 7.5 ips) > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)*Patch source is Greg Schug's MAR > Dick Latvala's Technics 1506 reel > PCM > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)

1979
01.10.79 II of II Nassau Veterans’ Memorial Coliseum, Uniondale, NY 3 FOB:Nak 300's (left center)>Sony TC158; Keith Gatto recording; noise reduction by Jim Wise
01.11.79 II of II Nassau Veterans’ Memorial Coliseum, Uniondale, NY 3 FOB:Nak 300's (left center)>Sony TC158; Keith Gatto recording; noise reduction by Jim Wise
01.12.79 II of II The Spectrum, Philadelphia, PA 3 FOB:Sony ECM 280’s (split 30’ on the balcony)>Sony TC158; Eddie Claridge recording; digitally remastered by Jim Wise
01.15.79 II of II Springfield Civic Center, Springfield, MA 3 Nakamichi 300's w/Cardoid Capsules > Master Audience Cassette > Sony TC158 - Played back on a Nak DR1 > Sony PCMR500 DAT with SBM ON @ 48KHz > (done by Rango Keshavan) Soundforge > CDR (done by Jim Wise) > EAC > SHN
02.10.79 II of II Soldiers & Sailors Memorial Hall, Kansas City, KS IPOD
04.22.79 II of II Spartan Stadium, San Jose University, San Jose, CA 3 SBD>MC>C3>DAT>CDR
05.05.79 II of II Baltimore Civic Center, Baltimore, MD 3 Nak500 > Sony D5 MAC > D > CD
05.07.79 II of II Kirby Fieldhouse, Lafayette College, Easton, PA 3 FOB:nak 500->mc->dat->cd
05.08.79 II of II Recreation Hall, Penn State U., State College, PA 3 missing encore
05.09.79 II of II Broome County Arena, Binghamton, NY 3 Source: FOB Naks > Teac PC-10 (cassette master) > DAT x2 Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (tracking, downsampling [Set II only]) > WAV > SHN (no extraction)
05.11.79 II of II Billerica Forum, Billerica, MA 3 AUDMC > Dat > CDR; Recorded by Keith Gatto
05.12.79 II of II Alumni Stadium, U. of Massachusetts, Amherst, MA 3 AUDMC (NAK CM700>Sony 158SD)> NAKDRAGON > Sony PCM-500 > HHB800; Recorded by Barry Glassberg
05.13.79 II of II Cumberland County Civic Center, Portland, ME 3 AUDMC (NAK CM700>Sony 158SD)> NAKDRAGON > Sony PCM-500 > HHB800; Recorded by Barry Glassberg
08.13.79 II of II McNichols Sports Arena, Denver, CO 3
MSC>Reel>PCM>CDR; MAC>Nak CM700 mics > 1 Reel to Reel gen > DAT > CDR source supplies the final 1:25 of "FOTD" (d1t06), the first 0:28 of "Minglewood" (d1t07), the "Tuning / Announcements" (d2t01), as well as the first 1:15 "Miracle" (d2t02)
09.02.79 II of II Augusta Civic Center, Augusta, ME 3 AUD:mc>dat>cdr, Steve Rolfe Recording
09.04.79 II of II Madison Square Garden, NY, NY 3 Master SBD Cassette>Reel To Reel>PCM>CDR>SHN
09.05.79 II of II Madison Square Garden, NY, NY 3 Master SBD Cassette>Reel To Reel>PCM>CDR>SHN
09.06.79 II of II Madison Square Garden, NY, NY 3 Master SBD Cassette>Reel To Reel>PCM>CDR>SHN
10.24.79 II of II Springfield Civic Center, Springfield, MA 3 AUD(Senn 421's>Nak 350)>MC>DAT>CD
10.25.79 II of II New Haven Coliseum, New Haven, CT 3
Recording Info: Set 1: Nakamichi 700 -> Cassette Master -> Dat (Recorded By Steve Rolfe) Set 2: SBD -> Master Cassette (Sony TCD5M/Maxell UDXL II) -> Master Dat (Panasonic SV3800/48k) Transfer Info: Set 1: Dat (Sony D8) -> CD (Tascam CDRW700) -> EAC -> Samplitude v7.02 Professional -> SHN Set 2: Master Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN)
10.27.79 II of II Cape Cod Coliseum, South Yarmouth, MA 3 SRC: SBD>DAT(Dante DiProsa>TB Montego Digi i/o (44.1)>.wav>.shn
10.31.79 II of II Nassau Veterans’ Memorial Coliseum, Uniondale, NY 3 D1 (set 1) SBD>MR>C>DAT>CD; D2 (set 2a) SBD>MR>Dick Latvala's Cass>DAT>CD; D3 (set 2b) AUDMC (Nak 700's>Sony TC158)>DAT>CD
11.01.79 II of II Nassau Veterans' Memorial Coliseum, Uniondale, NY 3
SBD -> Master Cassette (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k)
11.02.79 II of II Nassau Veterans’ Memorial Coliseum, Uniondale, NY 3 SBD>MR>Dick's cassette>DAT>CD
11.04.79 II of II Civic Center, Providence, RI 3 SB>MR>Dick Latvala's cass>DAT>CD>EAC>minor editing>shn & CD-R
11.06.79 II of II The Spectrum, Philadelphia, PA 3 Master SB Cassette > Cassette > DAT > CDR
11.08.79 II of II Cap Center, Landover, MD 2 Set I: sdb>>master reel>>dat>>cdr; Set II: sdb>>master reel>>dat>>cdr
11.09.79 II of II War Memorial Auditorium, Buffalo, NY 3 SBD> MR> DAT> Sonic Solutions> CD>EAC>CD
11.25.79 II of II Pauley Pavilion - UCLA, Los Angeles, CA 3
11.29.79 II of II Cleveland Public Hall, Cleveland, OH 3 MSC>C>D>C>D>CDR
12.01.79 II of II Stanley Theatre, Pittsburgh, PA 3 SBD
12.04.79 II of II Uptown Theatre, Chicago, IL 3 SBD>MC>C>DAT>CDR>EAC>SHN>CDR
12.05.79 II of II (missing Es) Uptown Theatre, Chicago, IL 3 MAC>?>nak RX-505 Cassette>20-Bit conversion w/ Burr-Brown ADV, dithered to 16-Bit for output>HHB CDR8930>CoolEdit>THIS CD; Contains tape-flip crossfades during d2t2 & d2t6; Levels vary in d1t1. Encores missing on source; Transfer by mike Stillman
12.07.79 II of II Indiana Convention Center, Indianapolis, IN 3 MAC>R>D>CD, Recorded with 3 Nak CM-300s-> Sony TC-158 transfer by Jack Warner; EAC-> wav-> shn by Don Chase
12.09.79 II of II Kiel Auditorium, St. Louis, MO 3 MAC>R>D>CD, Recorded with 3 Nak CM-300s-> Sony TC-158 transfer by Jack Warner; EAC-> wav-> shn by Don Chase
12.11.79 II of II Soldiers & Sailors Memorial Hall, Kansas City, KS 3 MAC>R>D>CD, Recorded with 3 Nak CM-300s-> Sony TC-158 transfer by Jack Warner; EAC-> wav-> shn by Don Chase
12.26.79 II of II Oakland Auditorium, Oakland, CA 3 Steve Rolfe, nak 700's > d5 > DAT > cdr
12.27.79 II of II Oakland Auditorium, Oakland, CA 2 Steve Rolfe, nak 700's > d5 > DAT > cdr
12.31.79 III of III Oakland Auditorium, Oakland, CA 4 Steve Rolfe, nak 700's > d5 > DAT > cdr

1980
03.30.80 II of II Capitol Theatre, Passaic, NJ 2 FOB: Nak 700>Sony TC-D5m; Barry Glassberg
04.01.80 II of II Capitol Theatre, Passaic, NJ 2 SBD>MC>??>CDR
04.29.80 II of II Fox Theatre, Atlanta, GA 2
05.01.80 II of II Greensboro Coliseum, Greensboro, NC 2 FOB (Nakamichi 700)> Master Cassette (Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)>Sony R500 @44.1>; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII; CD>SHN: EAC (see info)> Soundforge> CD WAV>SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch;
05.02.80 II of II Hampton Coliseum, Hampton, VA 2 FOB: AKG D1000 E > Sony D5
05.02.80 II of II Hampton Coliseum, Hampton, VA 2 FOB: akg d-1000-e's > sony tc d5 dolby cassette master; A>D: nak dragon dolby b playback > sony pcm r-700 for the analog to digital conversion > zefiro za2 interface with the hard drive > then sound forge & cd architec for editing & track & burn; Jim Wise

05.07.80 II of II Barton Hall, Cornell University, Ithaca, NY 2
AT SBD: 2 nak 700's with a nak 300 blend > nak 550 > sony d5 patched out
of the nak; A>D: nak dragon dolby b playback > sony pcm r-700 for the analog to digital conversion > zefiro za2 interface with the hard drive > then sound forge & cd architec for editing & track & burn; Jim Wise

05.08.80 II of II Glens Falls Civic Center, Glens Falls, NY 2
AT SBD: 2 nak 700's with a nak 300 blend > nak 550 > sony d5 patched out
of the nak; A>D: nak dragon dolby b playback > sony pcm r-700 for the analog to digital conversion > zefiro za2 interface with the hard drive > then sound forge & cd architec for editing & track & burn; Jim Wise

05.10.80 II of II Hartford Civic Center, Hartford, CT 3 JW Nak 700 > Nak 550 > Sony D5 deck; a > d nak dragon > HHB cdr-800
05.14.80 II of II Nassau Veterans’ Memorial Coliseum, Uniondale, NY 3 Master Soundboard Cassette > Reel to Reel > DAT > CDR
06.13.80 II of II Seattle Center Arena, Seattle, Washington 3
Source: MAC>AKG SE-5 mics w/CE-1 cardioid capsules> Sony TC-D5>DAT>CDR
06.20.80 II of II West High Auditorium, Anchorage, AK 3 SBD > MC > SS > SBM2 > CDA > WAV(EAC) > SHN > DAW (Bertha) > CDA/SHN
06.21.80 II of II West High Auditorium, Anchorage, AK 3 AUD:mc>dat>cdr
08.16.80 II of II
Mississippi River Festival, Edwardsville, IL Joani Walker's FOB MAC w/ Sony ECM-250s>Sony TC-158>CDR
08.19.80 II of II Uptown Theatre, Chicago, IL 3 FOBalcony NAK 700 Shotgun caps>TC-158>D>CD; EAC>CoolEdit96>CDWav>CD

08.24.80 II of II Grand Center, Grand Rapids, MI 3 FOB:Nak 300s>Sony D5>DAT>CDR
08.26.80 II of II Cleveland Public Hall, Cleveland, OH 2
MAC: 2 Sennheiser 421s + center mike> Nakamichi 550 (Fuji FX-1) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard (24/96)> Adobe Audition > Downsample/Dither> flac encoding > FLAC; Recorded by Joel Barnhama
08.30.80 II of II The Spectrum, Philadelphia, PA 2 AUD @ Soundboard w/Senn 421's mounted on a pole> Sony TC-D5 Jim Wise recording
08.30.80 only set II The Spectrum, Philadelphia, PA 2 Aud
08.31.80 II of II Capital Centre, Landover, MD 3 Aud
09.02.80 II of II Community War Memorial, Rochester, NY 3
09.03.80 II of II Springfield Civic Center Arena, Springfield, MA 3 FOB:Sony ECM 280s>TCD5>MAC>CDR>EAC>CDR; Recorded by Jim Wise and Eddie C; A>D by Jim Wise; cut in beg of 1/2 step
09.04.80 only set II Providence Civic Center, Providence, RI 2 Source: Set 2 Soundboard Cassette Master > Reel > Dat > CDR Patch Source: AUD>MC>DAT>SF>CD
09.06.80 II of II State Fairgrounds, Lewiston, ME 3 Jim Wise Nakamichi 700>Sony D5 deck>C>DAT>CD>EAC>CD
09.25.80 III of III Warfield Theater, San Francisco, CA 3 Taper: Most probably Bob Menke; Location: Balcony, Center; Source: Nakamichi CM700 Mics (3)>Mixer>Sony D-5; Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700; Conversion: CDR > EAC (secure) > Cool Edit (minor clean up) > cdwav (retracking) > mkwact > shn (seekable)
09.26.80 III of III Warfield Theater, San Francisco, CA 3 same as above
09.27.80 III of III Warfield Theater, San Francisco, CA 4 same as above
09.29.80 III of III Warfield Theater, San Francisco, CA 3 MSC>D>CD
10.14.80 II of III (no acoustic set & encore) Warfield, San Francisco, CA 3 SBD>MR>DAT>CDR>EAC>SHN
10.26.80 III of III Radio City Music Hall, NY, NY 3
10.27.80 II of II Radio City Music Hall, New York, NY 3
CENTER LODE: Senn 441's > Sony TC-D5; A>D: nak dragon dolby b playback > sony pcm r-700 for the analog to digital conversion > zefiro za2 interface with the hard drive > then sound forge & cd architec for editing & track & burn; Jim Wise
10.31.80 II of II Radio City Music Hall, New York, NY 4 DVD
11.28.80 II of II Lakeland Civic Ce
nter, Lakeland, FL 2 FOB: MAC>Nakamichi CM700> Sony D5> DAT; Transfer: Casio DA-7 > Tascam CD-RW 700 (pass through -2 db) > Audiophile 2496 > @ 24 Bit to WaveLab > 16 Bit > CD Wave > EAC > Flac; Remaster and transfers Bill Koucky
11.29.80 II of II Alligator Alley Gymnasium, U. of Fl., Gainesville, FL 3 FOB: MAC>Beyer M-160's>Sony TC-D5>CDR via Alesis Masterlink (Mics were on a 15'? pole at the SBD) Taped by Jim Wise
11.30.80 II of II Fox Theatre, Atlanta, GA 3 MSC>Reel>DATs>CDRs>EAC>SHN (set I and Scarlet>Fire from Set II) Sony ECM280s>D5>DATs>CDRs>EAC>SHN (Remainder of show)
12.13.80 only set II Long Beach Arena, Long Beach, CA 2 MAC>Sony ECM-280 mics > Sony D5> DAT > CDR
12.13.80 II of II Long Beach Arena, Long Beach, CA IPOD

1981
02.26.81 II of II Uptown Theatre, Chicago, IL 3 Source Info: SBD > Cassette master > DAT(0) (Cassette>DAT transfer by DL) DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > Master CDR (by Jim Wise) CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch); Known Flaws: reel splices at 5:04 & 8:40 in Stranger (untouched); reel splice 11:52 into He's Gone (untouched); reel splice in Black Peter> GDTRFB segue (2 sec crossfade)
02.27.81 II of II Uptown Theatre, Chicago, IL 3 Source Info: SBD > Cassette master > DAT(0) (Cassette>DAT transfer by DL) DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > Master CDR (by Jim Wise) CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch); Known Flaws: reel flip in Wharf Rat> Sugar Magnolia segue, crossfaded slightly; All other edits and crossfades were between songs with no music disturbed; <Missing E: Dont Ease>
02.28.81 II of II Uptown Theatre, Chicago, IL 3 Source Info: SBD > Cassette master > DAT(0) (Cassette>DAT transfer by DL) DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > CDR Master(by Jim Wise) CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch); Known Flaws: Beginning of Jack Straw abrupt start; Beginning of Althea abrupt start; Beginning of Ship of Fools abrupt start w/ reel warble; End of Good Lovin cuts, faded out
03.3.81 II of II Cleveland Music Hall, Cleveland, OH 3
Nak 700s>Sony TC-D5; A>D - AUDMC played back on Nak Dragon> ART DI/O> Egosys Waveterminal 2496> Cool Edit 2000> Feurio/mkwACT; Recorded by Bob Wagner
03.5.81 II of II Stanley Theatre, Pittsburgh, PA 3 Jim Wise recording (Sennhaiser 421>D5) set up loge center MC>A/D Conversion via Sony R700 (no DAT gen)>COAX to ZA2>Soundforge>Master CDR>CDR(1) Via Tascam cd-d4000mkII>EAC>Soundforge>CD WAV>SHNv3
03.6.81 II of II Stanley Theatre, Pittsburgh, PA 3 Jim Wise recording (Sennhaiser 421>D5) set up loge center MC>A/D Conversion via Sony R700 (no DAT gen)>COAX to ZA2>Soundforge>Master CDR>CDR(1) Via Tascam cd-d4000mkII>EAC>Soundforge>CD WAV>SHNv3
03.7.81 II of II Cole Field House, U of Maryland, College Park, MD 3
Source: Senn 421 mics>SonyD5>MC>CD>?>EAC>SHN: Jim Wise recording
03.9.81 II of II Madison Square Garden, NY, NY 3 Barry glassberg nak cm700's > sony tc d-5m 12'th row center xl11 dolby b cassette master . analog to digital > tascam 112 mk11 cassette playback > sony pcm r-500 dat, @ 44.1 kHz , then dat > cd via hhb cdr-850
03.10.81 II of II Madison Square Garden, NY, NY 3 Barry glassberg nak cm700's > sony tc d-5m 11'th row center xl11 dolby b cassette master . analog to digital > tascam 112 mk11 cassette playback > sony pcm r-500 dat, @ 44.1 kHz , then dat > cd via hhb cdr-850
03.12.81 II of II Boston Garden, Boston, MA 3 AudMC>DAT>CDR; Nak 700>Sony D5, Steve Rolfe, recording - 16th row
03.12.81 II of II Boston Garden, Boston, MA 3 Lineage: taped in "upper left", Sony ECM 280>Sony TC-D5>CD>WAV > SHNv3 DAE: Tracks extracted in triplicate with matching wav md5's with EAC (high :) secure mode offsets in place.
03.13.81 II of II Utica Memorial Auditorium, Utica, NY 3 Jim Wise recording (Sennhaiser 421>D5) set up at SBD Master Cassette (playback on Nakamichi Dragon) > A/D Conversion via Sony R700 (no DAT gen) > COAX to ZA2 > Soundforge > Master CDR > CDR(1) Via Tascam CD-D4000mkII > EAC in secure mode >Soundforge > CD WAV > SHNv3
03.20.81 II of II (missing E) Rainbow Theatre, London, England 3 MAC>C>C>D>CD (unknown taper and equipment)
03.28.81 II of II Essen, Germany 3
04.30.81 II of II Greensboro Coliseum, Greensboro, NC 3 mixed-source AUD: set 1, Beyer M160's > Sony D5 @ SBD; set 2: NAK 700's > Sony D5 12th row center; Master cass> DAT> CD> EAC> (Tracked in)CoolWave> SHN> CD; recorded by Jim Wise
05.1.81 II of II Hampton Coliseum, Hampton, VA 3 FOB: MC (Sennheiser 441's > Sony TCD-5) > Sony PCM R-700 to hard drive > CD; Jim Wise recording
05.2.81 II of II The Spectrum, Philadelphia, PA 3
Recording Info: SBD -> Cassette Master (Sony TCD5M) -> Reel (Technics 1/2 Track 7.5 Inch) -> Dat (Panasonic SV3800) -> Sound Forge -> SHN (3 Discs Audio / 2 discs SHN); Patch Info: (FOB) Sennheiser 421 -> Cassette Master (Sony TCD5M) -> Dat -> CD -> EAC -> SHN; Recorded By Jim Wise
05.4.81 II of II The Spectrum, Philadelphia, PA 3 Master Soundboard Cassette > Cassette > DAT > CDR Master Audience Cassette; Nakamichi CM300 mics > Sony D5 source supplies the beginnings of "Don't Ease Me In", "BIODTL", "Jackero", "Althea" and "Looks Like Rain", as well as the end of the set break announcement after "GSET", the beginning of "To Lay Me Down" and a 0:02 patch during the transition between "Lost Sailor" and "Saint of Circumstance"
05.5.81 II of II Glens Falls Civic Center, Glens Fall, NY 3
Source: MAC>Senn 421s> Sony TC-D5 > DAT> CDR; Jim Wise Recording (v01)
05.8.81 II of II Nassau Veterans Memorial Coliseum, Uniondale , NY 3 Barry Glassberg FOB: NAK-700's > SONY TC-D5M > Dolby On
05.11.81 II of II Memorial Coliseum, New Haven, CT 3 FOB Healy authorized master audience cassette>48k dats>delta dio 2496 > cooledit2000 > wav > shn
05.12.81 II of II Memorial Coliseum, New Haven, CT 3 SBD>Master Cassette>Cassette>DAT>CDR DAE(EAC) and SHN Encoding by Jeff M.
05.13.81 II of II Providence Civic Center, Providence, RI IPOD
05.13.81 II of II Providence Civic Center, Providence, RI 3 DVD
05.15.81 II of II Rutgers Athletic Center, Piscataway, NJ 3 AUD>MC>DAT>CDR Senn. 421's>Sony TC-D5M Jim Wise recording
05.16.81 II of II Barton Hall, Cornell University, Ithaca, NY 3
05.17.81 II of II Onondaga County War Memorial, Syracuse, NY 3 Recorded by Jim Wise, Senn 421s>Sony TC-D5M
07.02.81 II of II The Summit, Houston, TX 3
Senn 421's>MC>DAT>CD; missing encore
07.04.81 II of II Manor Downs, Austin, TX 3 FOB:Nak CM700 mics > Sony D5 > DAT > CDR
07.04.81 II of II Manor Downs, Austin, TX 3 SBD>Cassette Master>Dat (48k);
Dat (Fostex D5) -> Audiophile 2496 -> Samplitude v7.02 Professional -> FLAC; Patch Notes: (FOB) Nakamichi 700 -> Cassette Master -> Cassette -> Dat -> CD Patch provides Tenn Jed through I Know You Rider, Sugar Mags and Saturday Night; The AUD patch is an upgrade to the aud that currently circulates; Seamless transition between discs 2 and 3; Transferred By Joe Samaritano; Patched and Edited By Charlie Miller
07.05.81 II of II Zoo Amphitheatre, Oklahoma City, OK 3 Nak CM700?s>Sony D-5>MC>DAT>CD
07.07.81 only set 1 Kansas City Municipal Auditorium Arena, Kansas City, MO 1 SBD
07.07.81 II of II Kansas City Municipal Auditorium Arena, Kansas City, MO 3 Aud (Neumann KMi84's)>MC>DAT>CD
07.10.81 II of II St. Paul Civic Center Arena, St. Paul, MN 3 Source: (Rear of Stage) > Sony ECM 23-F's (dolby B) > Sony TC D-5M (Ohr Weinberg recording)
07.11.81 II of II Alpine Valley Music Theatre, East Troy, WI 3 Senn 421>CM>DAT>CD; via Rick Martin
07.13.81 II of II McNichols Arena, Denver, CO 3 sdb
07.14.81 II of II McNichols Arena, Denver, CO 3 AUD>MC>DAT>CDR
08.26.80 II of II Cleveland Public Hall, Cleveland, OH 2
MAC:2 Sennheiser 421s + center mike> Nakamichi 550 (Fuji FX-1);Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard (24/96)> Adobe Audition > Downsample/Dither> flac encoding > FLAC; Transfer and FLAC encoding by David Minches; Recorded by Joel Barnhama
08.27.81 II of II Long Beach Arena, Long Beach, CA 3 Source: FOB(unknown mics)>Master Cassette>DAT>CDR
08.28.81 II of II Long Beach Arena, Long Beach, CA 3 SBD>?>CD>EAC 0.9b3 (Secure Mode)>Sound Forge 4.5>CDWave 1.7>MKWact 0.97b1
08.31.81 II of II Aladdin Theatre, Las Vegas, NV 3 AUD>MC>DAT>CDR; Certified Owens Brothers Vault Release, processed with DC Art Millenium Software on a Dell Optiplex GX300 Workstation
09.11.81 II of II U. C. - Berkeley, Greek Theatre, Berkeley, CA 3 sennheiser 421 fob stage left / hand held
09.12.81 II of II U. C. - Berkeley, Greek Theatre, Berkeley, CA 3 sennheiser 421 fob stage left / hand held
09.13.81 II of II U. C. - Berkeley, Greek Theatre, Berkeley, CA 3 sennheiser 421 fob stage left / hand held
09.25.81 II of II Stabler Arena, Lehigh University, Bethlehem, PA 3 MSC>Cassette>CDR; MAC
>Sennheiser 441 mics; MAC>Nakamichi CM300's + CP4's
09.26.81 II of II War Memorial Auditorium, Buffalo, NY 2 SBD>Cm>Cass>Dat>CD; Patch: Nak 100/CP4>Cm>Dat>CD - supplies Shakedown Street, CC Rider And Drums
09.30.81 II of II The Playhouse, Edinburgh, Scotland 3 SBD>?>C>C>WAV>SHN
10.03.81 II of II Rainbow Theater, London, England 3 SBD>MC>DAT>CDR
10.04.81 II of II Rainbow Theater, London, England 3
Source 1: SBD>?>C>C>WAV>SHN; Source 2: SBD>?>C>C>WAV>SHN
10.13.81 II of II Walter Koebel, Russelsheim, Germany 3 SBD>?>C>C>WAV>SHN
10.19.81 II of II Sports Palace, Barcelona, Spain 3 SBD: CM > CASS > DAT > Pro CDR
12.03.81 II of II Dane County Colliseum, Madison WI 3 Nak 300's > Sony D5
12.05.81 II of II Market Square Arena, Indianapolis, IN 2 Unknown audience recoding by Jim Wise > Dat (44.1k); Dat (Sony R500)>Samplitude Professional v8.01>Flac; Transfer and Mastering by Charlie Miller
12.07.81 II of II Des Moines Civic Center, Des Moines, IA 3 Unkown Aud
12.09.81 II of II Events Center, University of Colorado, Boulder, CO 3 audmc>dat>cd; Senn 421s (mounted on a spreadbar & hand held) > Sony TCD5 Cassette Master > Nak Dragon playback >(A>D by a Sony PCM R-700) > Hard Disc > CDR (Taped by Jim Wise, position was on the risers in back)
12.31.81 II of II Oakland Auditorium Arena, Oakland, CA 4 LINEAGE: Monitor Mix SBD > 4 TRACK RTR @ 7.5 IPS (Dolby B) > PCM > D
> SSSB (Dolby B decoded); any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released 11/01]

1982
02.17.82 II of II Warfield Theatre, San Francisco, CA 3 M
AC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding (flac 1.1.0, compression level 8)
02.17.82 II of II Warfield Theatre, San Francisco, CA 3 Main source: MSC>DAT>CD; Patch source: Steven Martin's MAC>DAT>CD0
02.19.82 II of II Golden Hall, University Of California, San Diego, CA 3 Sony ECM200T>SonyTCD5>C>NakDR1>PCM>PC>CoolEditBass Boost>DAT>CD
02.20.80 II of II Golden Hall, University Of California, San Diego, CA 3 AUD>MC>DAT>CD
03.13.82 II of II Centennial Coliseum, Reno, NV 3 Set I: MAC; Taped by Steven Martin Nak CM-700 mics > Sony TC-D5M; SetII: MAC > DAT > CDR
03.14.82 II of II Recreational Hall, U. of California, Davis, CA 3 Master Soundboard Cassette > Reel to Reel > DAT > CDR
04.02.82 II of II Cameron Indoor Stadium, Duke U, Durham, NC 3 Master Soundboard Cassette > Cassette > DAT> CDR
04.03.82 II of II The Scope, Norfolk, VA 3 FOB: Nak 700s> Sony TC-D5M; Recorded by Bob Wagner
04.05.82 II of II The Spectrum, Philadelphia, PA 2 (FOB, 4th Row) Senn 441>Cm>Dat>CD
04.06.82 II of II The Spectrum, Philadelphia, PA 3 FOB:mc>dat>cdr; By Jim Wise Nak 700>Sony TC-D5 stage right handheld
04.08.82 II of II Onondaga County War Memorial, Syracuse, NY 3 AUD:mc>dat>cdr
04.09.82 II of II Community War Memorial Auditorium, Rochester, NY 3
FOB -- Rob Eaton Recording -- Senn 441's>Nak 550>DAT>CDRs>EAC>SHN
04.11.82 II of II Nassau Veterans’ Memorial Coliseum, Uniondale, NY 3 Senn 421's>Sony TC D5; Jim Wise - (9th row - center) encore sourced from a beyer m160 > d5 master made at the sbd;
04.14.82 II of II Glens Falls Civic Center, Glens Falls, NY 2 SBD MC>Cass>DAT>CDR
04.17.82 II of II Hartford Civic Center, Hartford, CT 3 Unknown mics (possibly Shure) > Nakamichi 550 (likely) tape deck > Maxell UDXL-II 90's, with Dolby off. Set up in Section 114, Row R, Seat 9 (Brent's side). Taped by Dennis C.
Transfer: MAC > Sony TC-D5M (Dolby off) > Realtek AC97 > Soundforge >
CD-Wave > TLH v.1.0.0.72 (for SBE-Fix, Checksums, FLAC compression) >FLAC > bt.etree July 2006
04.18.82 II of II Hartford Civic Center, Hartford, CT 3 FOB: Nak 700s
04.19.82 II of II Baltimore Civic Center, Baltimore, MD 3
MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
05.21.82 II of II U. C. - Berkeley, Greek Theatre, Berkeley, CA 2 SBD: MC > DAT > CDR CDR > EAC > SHN
05.22.82 II of II U. C. - Berkeley, Greek Theatre, Berkeley, CA 3 SBD:MC > DAT > SF > CD ->recorded on a Sony TC-D5
05.23.82 II of II U. C. - Berkeley, Greek Theatre, Berkeley, CA 3 SBD:MC > DAT > CDR CDR > EAC > SHN
07.17.82 II of II Ventura County Fairgrounds, Ventura, CA 2
Senn 421's>MC>DAT>CDR (Believed to be Jim Wise recordings)
07.18.82 II of II Ventura County Fairgrounds, Ventura, CA 3 Senn 421's>Sony TC-D5, Jim Wise recording
07.25.82 II of II Compton Terrace Amphitheatre, Tempe, AZ 3 AUD>?>DAT>CD>EAC>SHN
07.27.82 II of II Red Rocks Amphitheatre, Morrison, CO 2 FOB - Senn 421's>Sony TC-D5 (recorded at the "mouth" of the stage)>Nak Dragon Playback>HHB CDR-850 (no DAT gen)>CDR
07.28.82 II of II Red Rocks Amphitheatre, Morrison, CO 3 FOB - Senn 421's>Sony TC-D5 (recorded at the "mouth" of the stage)>Nak Dragon Playback>HHB CDR-850 (no DAT gen)>CDR
07.29.82 II of II Red Rocks Amphitheatre, Morrison, CO 3 FOB - Senn 421's>Sony TC-D5 (recorded at the "mouth" of the stage)>Nak Dragon Playback>HHB CDR-850 (no DAT gen)>CDR
07.31.82 II of II Manor Downs, Austin, TX 3 Soundboard>Master Cassette>Cassette>Dat>CDR>EAC>SHN
07.31.82 II of II Manor Downs, Austin, TX 3 MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) >tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) A > D by Steven Martin; EAC > SHN by Jack Warner
08.01.82 II of II Zoo Amphitheatre, Oklahoma, OK 3 Ohr Weinberg Recording: FOB: Sony EMC 23-f’s > Sony TC-D5 (dolby B); A>D By Anne Cohen via Aoxoa’s Nak Dr > HHB-800
08.03.82 II of II Starlight Theatre, Kansas City, MO 3 FOB (27th row)>AUD>Senn 441's>Sony D5 (Mike Stein)>Sony D6 (Paul Hogan)>MC>CDR (Marantz Pro CDR 500) - Paul Hogan Recording
08.04.82 II of II Kiel Auditorium, St. Louis, MO 2
SBD>MasterCass>DAT>CD
08.06.82 II of II St. Paul Civic Center Arena, St. Paul, MN 3 Sony ECM 23-F's >Aud Master, A>D transfer by Jim Wise
08.07.82 II of II Alpine Valley, East Troy, WI 3 Healy SBDMC>Frank Streeter Reel (Sony 770)>CDR>Digital Pitch Correction>CDR>
08.08.82 II of II Alpine Valley, East Troy, WI 3 SBDMC > Reel > DAT > CDR
08.10.82 II of II Fieldhouse, University of Iowa, Iowa City, IA 4 Aud
08.28.82 II of II Oregon Country Fair Site, Veneta, OR 3 SBD:mc>c>cdr
09.05.82 II of II Glen Helen Regional Park, Devore, CA 2
SBD: MC > DAT > CDR
09.09.82 II of II Saenger Theatre, New Orleans, LA 2 SBD>MC>PCM>DAT>CD
09.12.82 II of II Lakeland Civic Center Arena, Lakeland, FL IPOD
09.14.82 II of II UVA, Charlottesville, VA 3 Set I - MAC > C >DAT; Set II - MSC > DAT
09.15.82 II of II Capital Center, Landover, MD 2 Tiger Rose FOB Nak shotguns>Sony TC-D5M Analog MC>CD
09.15.82 II of II Capital Center, Landover, MD 2 "//Crazy Fingers" thru "Lost Sailor//": MSC>1 Reel Gen> Revox B-77> Alesis Masterlink > CD-R Analog > Digital transfer by Bill Gadsden; Normalized from 65% to 100% using Cool Edit 96 by Sean Cribbs; "Playing In The Band > Crazy Fingers//" opener, start of jam following "Must Have Been The Roses" to cover a flip on the MSC, and "//Lost Sailor" thru encore: MAC>CD Recorded by Tiger Rose - FOB Nak shotgun mics > Sony TC-D5M Analog > Digital transfer by David Howard; No other sound processing was done
09.17.82 II of II Cumberland County Civic Center, Portland, ME 3 AUD: Senn421>d5>DAT>CD; Jim Wise Recording
09.18.82 II of II Boston Garden, Boston, MA 2 FOB Sennheiser 421's > Sony TC-D5 > Master Cassettes > Playback on Nak Dragon > HHB cdr 800 > cdr; taped and transferred by Jim Wise
09.20.82 II of II Madison Square Garden, NY, NY 3 Jim Wise (18th row - Center) Senn 421's > Sony TC-D5 > Master Cassette > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x1) > EAC(tracked with Addawav & CDWav) >SHN
09.21.82 II of II Madison Square Garden, NY, NY 3 FOB - Senn 421's>Sony TC-D5 (Jim Wise recording)>Nak Dragon Playback > Sony R-700 DAT Deck (Sbm on) - used only as a A>D converter (44.1 Khz) > 7A2-7 CDr > EAC (tracked with Addawav & CDWav > SHN > CDRHHB CDR-850 (no DAT gen)>CDR
09.23.82 II of II Veterans Memorial Coliseum, Ne Haven, CT 3 FOB Sennheiser 421's > Sony TC-D5 > Master Cassettes > Playback on Nak Dragon > HHB cdr 800 > cdr; taped and transferred by Jim Wise0
09.24.82 II of II Carrier Dome, Syracuse University, Syracuse, NY 3 SBD>Master Cassette>1 Reel>DAT>DAT>WAV> Soundforge 4.0>CDWAV 1.53>MKW 0.97b>SHN w/ seek tables appended; DAT>WAV via Sony SDT-9000 DDS drive using VDAT 0.6f, wavs compared for errors using EAC
10.09.82 II of II Frost Amphitheatre, Stanford U, Palo Alto, CA 3 Mastered on a Sony TCD5 - Sony ECM 220T FOB; DAT made from NAK DR1 Master tape - no NR to SONY PCM R500 48KHz SBM ON>CD EAC done from CD made off DAT and SHNs made from EAC; Recording and all transfers but DAT > CD by Rango Keshavan; DAT > CD done by Mark Cartier
10.10.82 II of II Frost Amphitheatre, Stanford U, Palo Alto, CA 3 Mastered on a Sony TCD5 - Sony ECM 220T FOB; DAT made from NAK DR1 Master tape - no NR to SONY PCM R500 48KHz SBM ON>CD EAC done from CD made off DAT and SHNs made from EAC; Recording and all transfers but DAT > CD by Rango Keshavan; DAT > CD done by Mark Cartier
10.17.82 II of II Downs of Santa Fe, Santa Fe, NM 3 Aud
12.28.82 II of II Oakland Auditorium Arena, Oakland, CA
Recording Info: SBD -> Master PCM -> Dat/0; Transfer Info:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC (3 Discs Audio / 2 Discs FLAC)
12.31.82 II of II Oakland Auditorium Arena, Oakland, CA 3 SBDMC > Reel > DAT > CDR

1983
03.25.83 II of II Compton Terrace Amphitheatre, Tempe, AZ 2 Aud>Senn 421>D5>MC>SHN>CDR; About center, maybe a bit FOB
Playback: Nakamichi DR-1 using Azimuth Adjustment > Sony PCM-R500 with SBM on > Turtle Beach Montego II digital transfer > PC. Cooledit used for recording and editing.  CDWAV used for breaking up tracks.
03.26.83 II of II Aladdin Theatre, Las Vegas, Nv 3 Aud>MC>SHN>CDR; Recorded from the Loge Sec 9 row EE 7 Sony
ECM 220T > Sony TCD5 Fuji Metals. Playback: Nakamichi DR-1 using Azimuth Adjustment > Sony PCM-R500 with SBM on > Turtle Beach Montego II digital transfer > PC.  Cooledit used for recording and editing.  CDWAV used for breaking up tracks.
03.29.83 II of II Warfield Theater, San Francisco, CA 2 Source: AUD (first row behind SBD)>Senn 441’s>
Sony D6>TDK MA-R90 MC>CDR (Marantz Pro CDR 500) - Paul Hogan Recording
03.30.83 II of II Warfield Theater, San Francisco, CA 2 Source: AUD (first row behind SBD)>Senn 441’s>
Sony D6>TDK MA-R90 MC>CDR (Marantz Pro CDR 500) - Paul Hogan Recording
04.09.83 II of II Hampton Coliseum, Hampton, VA 2 Tiger Rose: Senn 421s > Sony TC-D5; MAC>DAT>CD>EAC>SHN
04.12.83 only set II Broome County Arena, Binghamton, NY 2
SBD -> PCM Master -> PCM Clone -> Sonic Solutions -> Dat; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.0 -> FLAC
04.12.83 II of II Broome County Arena, Binghamton, NY 3 FOB>?>CDR
04.13.83 II of II Patrick Field House, UVM, Burlington, VT 3 Source: MSC -> Reel (3 3/4 ips) -> Revox A-77 (reel to reel deck) -> Alesis Masterlink ML-9600 (A/D conversion and CDR mastering) -> CDRs -> EAC -> SHN
04.15.83 II of II Community War Memorial, Rochester, NY 3 Set I:
(FOB) Audio Technica Mics -> Sony D5 (Lead Deck) -> Cassette Master (Patched Off Of Lead Deck With Sony D6, Maxell XL-II);Recorded and Transfered By Charlie Miller; Set II: Source: SBD>PCM>DAT>Sonic Solutions>CDR
04.16.83 II of II Meadownlands Arena, East Rutherford, NJ 3 Recorded by Steve Rolfe, 17th Row Center - Nak 700>Sony D5
04.17.83 II of II Meadownlands Arena, East Rutherford, NJ 2 Recorded by Steve Rolfe, @ Soundboard - Nak 700>Sony D5
04.19.83 II of II Alfond Arena, U. of Maine, Orono, ME 3 Jim Wise FOB Aud: 3 Senns 421s > Mixer > Sony D5 (Center mike added for ambience)
04.20.83 II of II Providence Civic Center, Providence, RI 3 FOB-Senn. 421âs>Sony D-5>CM>DAT>CDR
04.22.83 II of II New Haven Coliseum, New Haven, CT 3 FOB:mac>dat>cdr; Nak 700s>Sony TC-D5; Barry Glassberg recording Sec 9F, Row 17, Seat 12
04.23.83 II of II New Haven Coliseum, New Haven, CT 3 FOB:mac>dat>cdr; Nak 700s>Sony TC-D5; Barry Glassberg recording Sec 9F, Row 19, Seat 13
04.25.83 II of II The Spectrum, Philadelphia, PA IPOD
04.26.83 II of II The Spectrum, Philadelphia, PA 3 MSC>C>DAT>CD
05.13.83 II of II U. C. - Berkeley, Greek Theatre, Berkeley, CA 3 FOB Aud Sony ECM 220T > Sony D5 using Fuji Metals no dolby Played back on a Nak DR1 with Azimuth adjustment > Sony PCMR500 DAT 48KHz SBM ON > PC transfer via Turtle Beach Montego II Digital I/O > SHN
05.14.83 II of II U. C. - Berkeley, Greek Theatre, Berkeley, CA 3 see above
05.15.83 II of II U. C. - Berkeley, Greek Theatre, Berkeley, CA 3 see above
06.18.83 II of II Saratoga Performing Arts Center, Saratoga, NY 3 Jim Wise recording: MAC > C > CDR
06.20.83 II of II Merriweather Post Pavilion, Columbia, MD 3 Set I: Neumann 154 MKs>Sony D5; Set II: FOB>Senn 441's > Sony tc-d5>DAT; Tiger Rose recording??
06.21.83 II of II Merriweather Post Pavilion, Columbia, MD 3 DVD
06.22.83 II of II City Island, Harrisburg, PA 2 Senn 421's>Sony TC-D5 15 yards from stage>Metal Cassette master w/Dolby B Playback on a Tascam 112mkII>Sony PCM R-500 (DAT) @44.1 kHz>HHB CDR-800>CDR (Recorded by Jim Vita)
06.24.83 II of II Dane County Coliseum, Madison, WI 3 Senn 421's>Sony TC-D5 15 yards from stage>Metal Cassette master w/Dolby B Playback on a Tascam 112mkII>Sony PCM R-500 (DAT) @44.1 kHz>HHB CDR-800>CDR (Recorded by Jim Vita)
06.25.83 II of II Civic Center Arena, St. Paul MN 3 ACM>C>DAT>CDR
06.27.83 II of II Poplar Creek Music Theatre, Hoffman Estates, IL 2 mc>dat>cdr with the analog>digital transfer by Jim Wise
06.28.83 II of II Poplar Creek Music Theatre, Hoffman Estates, IL 3
Source: FOB>AUD>MC>DAT>CDR>EAC>SHN Jim Vita recording,17th Row center.Senn 421's>Sony TCD5M w/ Maxell XLII dolby B encoded. Analog>digital>cdr --- tascam 112mk11>Sony PCM R500 @44.1khz>HHB CDR-850 transfer by Jim Wise
07.30.83 II of II Ventura County Fairgrounds, Ventura, CA 2 ACM>DAT>CDR
07.31.83 II of II Ventura County Fairgrounds, Ventura, CA 2 ACM>DAT>CDR
08.27.83 II of II Seattle Center Coliseum, Seattle, WA 3
Source 1:AUD(Senn 421’s)>MC>DAT>CDR (Paul B.); Source 2:Aud(Senn 421's)> MC>dat>cdr (Dave Wenzel)
09.02.83 II of II BSU Pavilion, Boise State University, Boise, UT 3 SBD:MC>DAT>CD
09.04.83 II of II Park West Ski Resort, Park West, UT 3 Master Soundboard Cassette > Cassette > DAT > CDR
09.06.83 II of II Red Rocks Amphitheatre, Morrison, CO 3 Sources: Master Soundboard Cassette > Cassette > DAT > CDR Master Audience Cassette; Sennheiser 421 mics > Sony D5 source supplies the 1st patch in "Birdsong" (d1t07) from 7:25 thru 8:40, as well as from the 5:06 mark of "Not Fade Away" (d3t05) thru the "Brokedown Palace" (d3t06) encore. Master Audience Cassette; Sennheiser 441 mics > Sony D6 source supplies the 2nd patch in "Birdsong" (d1t07) from 8:40 thru 8:59 Patching / CD Mastering by Scott Clugston
09.07.83 II of II Red Rocks Amphitheatre, Morrison, CO 3 FOB:3 Beyer M160> Sony TCD5m>Sound Forge 5> Power Post 2K
09.08.83 II of II Red Rocks Amphitheatre, Morrison, CO 3 Senn 441 mic's>PCM>DAT>CD
09.10.83 II of II Downs of Santa Fe, Santa Fe, NM 2
Sources: Primary: Jeff Silberman's Master Audience PCM; Senn 441 mics > Technics SV100 PCM > DAT > CDR; Secondary: Aud>CM>C>NakDR10(Playback Only)>PCM
09.11.83 II of II Downs of Santa Fe, Santa Fe, NM 3 SBD>Master Cassette>1 Reel>DAT>DAT>WAV>Soundforge 4.0> CDWAV 1.53>MKW 0.97b>SHN ; DAT>WAV via Sony SDT-9000 DDS drive using VDAT 0.6f
09.13.83 II of II Downs of Santa Fe, Santa Fe, NM 3
09.18.83 II of II Nevada County Fairgrounds, Grass Valley, CA 2 FOB: 2 Sony ECM-220 mics + 1 Sony ECM-939LT (stereo) mic > Sony MX-10L 4-channel mixer > Marantz PMD-340 cassette deck. Taped on Maxell UDXL-II 90's, Dolby on. Mics aprx seven feet high, and set up aprx half-way between the stage and the soundboard.
Transfer: MAC > Sony TC-D5M (Dolby on) > Marantz CDR-500 > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, October 2006. Taped and transfered by Andrew F. Notes: Some patches were taken from ShnID-7225: The last 12 seconds of drums, the first 13 seconds of Sugar Magnolia, and the first 8 seconds of Baby Blue. Soundforge was used to make fades, to add the patches,
and to adjust pitch in ShnID-7225 (-0.3 semitone).
09.24.83 only set I Santa Cruz County Fairgrounds, Watsonville, CA 1
10.08.83 II of II Richmond Coliseum, Richmond, VA 2 Set I: Center at Board: Beyer Dynamic 160s > Sony TCD5M > Sony CDR-W66 > EAC > CDWave > CD; Recorded and transfered by John Ficca; Set II: MAC(FOB Atm 11)>DAT>CDR>WAV>SHN; Taper: Mark Horvath
10.09.83 II of II Greensboro Coliseum, Greensboro, NC 2
10.11.83 II of II Madison Square Garden, NY, NY 2 Jim Wise recording - Beyer M160's/D5
10.11.83 II of II Madison Square Garden, NY, NY 3 SBD > Cassette Master > Dat x 2 > CDR > SHN
10.11.83 II of II Madison Square Garden, NY, NY 3 Barry Glassberg recording; Nak 700s, MAC>DAT>CDR
10.12.83 II of II Madison Square Garden, NY, NY 3 Aud
10.14.83 II of II Hartford Civic Center, Hartford, CT 3 FOB: Sony TCD5M > 2 Beyer Dynamic 160's; Ficca recording A>D: Sony CDR-W66>EAC>CDWave>CD
10.15.83 II of II Hartford Civic Center, Hartford, CT 2 SBD > Cassette Master > Dat x 2 > CDR > SHN
10.15.83 II of II Hartford Civic Center, Hartford, CT 2 Source: FOB (15th row center)> 2 Beyer 160s & 1 Beyer 88 >Sony TCD5M > Sony CDR-W66 > EAC > CDWave > CD; Recorded and transfered by John Ficca
10.15.83 only set II (missing encore) Hartford Civic Center, Hartford, CT 1
10.17.83 only set I Olympic Center, Lake Placid, NY 1 SBD>MC>DAT>Sonic Solutions>CDR>SHN>CDR (bunch of EACs>CDR)
10.17.83 only set II Olympic Center, Lake Placid, NY 2
SBD -> Master Cassette -> Reel -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> FLAC; Patch Info: (FOB/12th Row) Sennheiser 421 -> Master Cassette (Sony D5) -> Dat -> CD - Patches in "Samson" and "Space"; Edited By Charlie Miller
10.17.83 II of II Olympic Center, Lake Placid, NY 3 FOB (12th Row) > Sennheiser 421s > WM-D5 (Cassette master)
10.18.83 only set I Olympic Center, Lake Placid, NY 1 DVD
10.18.83 II of II Cumberland County Civic Center, Portland, ME 3 Source: (@ the board)> 2 Senn 421s > Sony TCD5M > Sony CDR-W66 > EAC > CDWave > CD; Recorded and transfered by John Ficca
10.20.83 II of II The Centrum, Worcester, MA 3 Source: Ficca FOB Sony TCD5M with 2 Beyer Dynamic 160's -> Sony CDRW-66>EAC>CDWave>SHN
10.21.83 II of II The Centrum, Worcester, MA 3 FOB:2 Beyer 160s & 1 Senn 421 >Sony TCD5M > Sony CDR-W66 > EAC > CDWave > SHN; Master tapes by Ficca & Brennan
10.21.83 II of II The Centrum, Worcester, MA 3 FOB (2nd row, dead center) Sennheiser 441's > Technics PCM master > DAT; Transfer: DAT > ZA2 > SoundForge; Taper: J. Silberman; slight glitch in Music; JGB encore not on master
10.22.83 II of II Carrier Dome, Syracuse University, Syracuse, NY 3 Source: At the Board Sony TCD5M with 2 Sennheiser 421's>Sony CDRW-66>EAC>CDWave>CDA. Tapes & Transfer by John Ficca
10.31.83 II of II Marin County Civic Center, San Rafael, CA 3 SBD>MC>DAT>CDR>EAC>CDWAV>SHN
12.27.83 II of II San Francisco Civic Center, San Francisco, CA 3 Source: SBD > MC > C > DAT > CD > EAC > SHN
12.28.83 II of II San Francisco Civic Center, San Francisco, CA 2 Source: FOB>AUD>Senn 441s>Marantz 340 Transfer: (Probably) Playback on Nak Dragon>HHB 850 Recorded by Andy F. Aoxoa's neighbor

1984
03.31.84 II of II Marin County Vererans Auditorium, San Rafael, CA 3 Source: VERY FOB (2nd to 4th row center) Sony ECM 220T > Sony TCD5M no
dolby Sony Metals; Played back on a NAK DR1 > Sony PCMR500 DAT @ 48KHz; Pitch corrected by Jim Wise > DAT @ 44.1KHz Sony PCMR500 DAT > Turtle Beach Montego II SoundCard Digital I/O > PC > SHN; Recorded and transfered by Rango Keshavan
04.07.84 II of II Irvine Meadows Amphitheatre, Irvine, CA 3 sbd>MC>Dat>cd
04.13.84 II of II Hampton Coliseum, Hampton, VA 3 Source: (FOB) - Beyer Dynamic 160s > Sony TCD5M > Sony CDR-W66 > EAC > CDWave > CD; Recorded and transfered by John Ficca at board center
04.14.84 II of II Hampton Coliseum, Hampton, VA 2 FOB (center):Nak 300s w/ shotgun capsules>Sony TCD5M A>D: Sony CDR-W66>EAC>CDwave>CDA. By Ficca and Ford
04.16.84 II of II Rochester War Memorial Auditorium, Rochester, NY 2 Neumann U-87 > Sony d-6 >dat >cdr
04.17.84 II of II Niagara Falls Civic Center, Niagara Falls, NY 3 Source: (Front of Stage) > Uher CR-240 > AKG-CE-1s (no dolby) Kenny Mence recording
04.19.84 II of II Philadelphia Civic Center, Philadelphia, PA 3 FOB: 2 Beyer 160s > Sony TCD5M > Sony CDR-W66 > EAC > CdWave > CDA; John Ficca Recording and transfer
04.20.84 II of II Philadelphia Civic Center, Philadelphia, PA 3 Nak 300s with shotgun capsules > Sony TCD5M > Sony CDR-W66 > EAC > CdWave > CDA; Tapes by Ficca and Ford
04.20.84 II of II Philadelphia Civic Center, Philadelphia, PA 3
SBD -> Cassette Master -> Reel -> Dat (SV3800/48k) ->Samplitude v7.02 Professional -> FLAC
04.21.84 II of II Philadelphia Civic Center, Philadelphia, PA 3 FOB: 2 Beyer 160s > Sony TCD5M > Sony CDR-W66 > EAC > CdWave > CDA; John Ficca Recording and transfer
04.21.84 II of II Philadelphia Civic Center, Philadelphia, PA 3 Source: FOB (3rd row center) > Beyer 160s > Sony TCD5M > Phillips 775A>EAC > CDWave > CD; Recorded and transfered by John Ficca (Don't Need Love & Drums are cut)
04.26.84 II of II Providence Civic Center, Providence, RI 3 Master Soundboard Cassette > Cassette > DAT > CDR
04.27.84 II of II Providence Civic Center, Providence, RI 2 1st set - Neumann > D6 > DAT > CDR > EAC > WAV > SHN; 2nd set - MSbd> Cass > DAT > CDR > EAC > WAV > SHN
04.29.84 II of II Nassau VeteransMemorial Coliseum, Uniondale, NY 3 FOB:MAC>Sound Forge>CD>EAC>SHN; (14th Row) 3 Beyer M160's
05.06.84 II of II Silva Hall - Hull Center, Eugene, OR 2 Source: SBD > MC > C > DAT > CD > EAC > SHN
05.07.84 II of II Silva Hall - Hull Center, Eugene, OR 3 SBD>Cass>DAT>cdr
05.08.84 II of II Silva Hall - Hult Center, Eugene, OR 2 SBD>MR>C>DAT>CDR
06.09.84 II of II Cal Expo Ampitheatre, Sacramento, CA 2 MAC>D>CDR; Recorded by Bob Wagner, NAK 700s>Sony TC-D5M
06.21.84 II of II Kingswood Music Theater, Maple, Ontario 3
FM>MC>PCM>DAT>Cool Edit Pro>CDR>SHN
06.23.84 only set II City Island, Harrisburg, PA 3 FOB center: Nak 300s with shotgun capsules > Sony TCD5M > Sony CDR-W66 > EAC > CdWave > CDA; Tapes by Ficca and Ford
06.23.84 II of II City Island, Harrisburg, PA 3 FOBMC>CDR: Sennheiser 421's (on a 10 inch spreader, on a 15 foot pole, 30 ft. FOB, Dead Center)>Sony TC-D5 (maxell XLII 90s)>JVC TD-W309>Tascam CD-RW700. Recorded by Rik Pauline
06.24.84 II of II Saratoga Performing Arts Center, Saratoga Springs, NY 3
Lineage:Aud>Nak300>CM>>CDR>EAC(Secure Mode)>Shnv3(MKW ACT)
06.26.84 II of II Merriweather Post Pavilion, Columbia, MD 3 Senn 421's>TCD5-M; Recorded by Rik Pauline; Transferred by Lou B.
06.27.84 II of II Merriweather Post Pavilion, Columbia, MD 3 Source:
SBD>PCM>C>Dat>CDR>Cool Edit 2000 Noise Filter>CDR>EAC>SHN
06.27.84 II of II Merriweather Post Pavilion, Columbia, MD 3 Sennheiser 4xx's > Marantz PMDxxx > MC; Playback of MCs on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck
06.27.84 set I and partial set II Merriweather Post Pavilion, Columbia, MD 1 DVD
06.29.84 II of II Blossom Music Center, Cuyahoga Falls, OH 3
Senn 421’s > Sony TC-D5M > MC > DAT > CD; Jim Wise Recording
06.30.84 II of II Indianapolis Sports Center, Indianapolis, IN 2 Set I: FOB: MAC>WAV>SHN>SHNTOOL>mkwACT; Senn 2 ME-80's & 2 441's 12th row center>sony d-5; Recorded by Tommy McKeown. Set II: FOB
06.30.84 II of II Indianapolis Sports Center, Indianapolis, IN 3 DVD
07.07.84 II of II Alpine Valley, East Troy, WI 3 MAC>D>CD;Senn 421's>Sony TC-D5M
07.13.84 II of II U. C. - Berkeley, Greek Theatre, Berkeley, CA 3 (no imtermediate source info) SBD > ? > CDR
07.13.84 partial set I & II U. C. - Berkeley, Greek Theatre, Berkeley, CA 1 DVD
07.14.84 II of II U. C. - Berkeley, Greek Theatre, Berkeley, CA 2
SBD -> Cassette Master -> Dat (44.1k); Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN
07.15.84 II of II U. C. - Berkeley, Greek Theatre, Berkeley, CA 3 (no imtermediate source info) SBD > ? > CDR
07.21.84 II of II Ventura County Fairgrounds, Ventura, CA 3 SBD>MasterCass>DAT>ZA2>CDR
07.22.84 II of II Ventura County Fairgrounds, Ventura, CA 3 SBD>PCM>Dat>CD SHN lineage: SBD>PCM>Dat>CD>EAC>SHN (mkwACT)
10.05.84 II of II Charlotte Coliseum, Charlotte, NC 3
10.06.84 II of II Richmond Coliseum, Richmond, VA 3
10.06.84 II of II Richmond Coliseum, Richmond, VA 3 FOB(center): 2 Beyer Dynamic 160s>Sony TCD5M>Sony CDR-W66> EAC> CDWave>CD; Recorded and Transfered by John Ficca
10.08.84 II of II The Centrum, Worcester, MA 3 Main Source: SBD>MC>DAT>CDR; Patch Source: AUDMC>Playback Nakamichi DR-1 cassette deck>HHB 850 CDR>EAC>Cool Edit Pro>CDWave>CDRWin>SHN(previous upgraded SHN release); Aud Taper Name:Matt Rice, Mic info: Nakamichi CM 100 mics w/ shotgun capsules. Deck Info: Sony D5 cassette deck
10.09.84 II & II The Centrum, Worcester, MA 3 MSC>DAT>CDR; patched w/ Mike Rice's MAC w/ Nak CM 100 w/ shotgun caps>Sony D-5>CDR; Big Railroad //Blues, //Jack Straw, Throwing Stones// all patched w/ MAC; SBD cassette master noise on last 1/2 of Revolution
10.11.84 II of II Augusta Civic Center, Augusta, ME 3 Source: FOB (10th row center) - Beyer Dynamic 160s>Sony TCD5M>Sony CDR-W66>EAC> CDWave>CD; Recorded and transfered by John Ficca
10.11.84 II of II Augusta Civic Center, Augusta, ME 3 FOB:Beyer M160s>Sony TCD-SM>DAT>CDR (Recorded by Jim Vita)
10.12.84 II of II Augusta Civic Center, Augusta, ME 2 DVD
10.12.84 II of II Augusta Civic Center, Augusta, ME 2 FOB:Beyer Dynamic 160s>Sony TCD5M>Sony CDR-W66>EAC>CDWave>CD; Recorded and transfered by John Ficca
10.14.84 II of II Hartford Civic Center, Hartford, CT 3 Recorded by Rick Pauline; Senn 421's>Sony D5 Transfer: HK TD420>Tascam cdr-w 2000, Lou Berrios transfer
10.15.84 II of II Hartford Civic Center, Hartford, CT 2 (FOB) Senn 421 -> Cassette Master -> Dat -> CD
10.17.84 II of II Meadownlands Arena, East Rutherford, NJ 3 AUD(Nak 300âs)>MC>DAT>CD
10.18.84 II of II Meadownlands Arena, East Rutherford, NJ 3
10.18.84 II of II Meadownlands Arena, East Rutherford, NJ 3 FOB:Beyer Dynamic 160's>Sony TCD5M; A>D, TCD5M > Sony CDR-W66 > EAC > CDWave > CDA; Transfer/recording by John Ficca
10.20.84 II of II Carrier Dome, Syracuse University, Syracuse, NY 3 Mike Rice's MAC -> Nak 100's (w/ shotgun capsules) > Sony TC-D5 (Cass. Master) > 1 cassette gen. > DAT > CDR
11.02.84 only set II Berkeley Community Theater - Berkeley, CA 2 Seems like a SBD, but the volume is very low.
12.29.84 II of II San Francisco Civic Center, San Francisco, CA 2
Oade Recording (FOB Schoeps CMC 441> Oade M118 > Sony TC D5)>DATs > CDR > WAV > SHN
12.31.84 III of III San Francisco Civic Center, San Francisco, CA 3 AKG Mics > Sony TCD5M No Dolby Sony Metals Played back on NAK DR1 > Sony PCMR500 48KHz SBM On sampling > Turtle Beach Montego II Digital I/O > PC...

1985
02.20.85 II of II Henry J. Kaiser Convention Center, Oakland, CA 2 SBD>Cass Master>Cass>Dat>Cass>Cass>CD>EAC>SHN 0
03.13.85 II of II Berkeley Community Theater, Berkeley, CA 2 Master Soundboard Cassette > DAT > CDR
03.21.85 II of II Hampton Coliseum, Hampton, VA 3 Set I: MAC>CD Recorded by Jim Vita, Beyer M-160s>Sony TC-D5M; Set 2: MAP>D>CD
03.24.85 II of II Springfield Civic Center Arena, Springfield, MA 2 Sony ECM220T mics (tapers section) > Sony TCDM5?; Played back on Nak - Recording and all transfers by Rango Keshavan
03.28.85 only set I Nassau Veterans' Memorial Coliseum, Uniondale, NY 1 SBD> MC> DAT> CDR
03.28.85 II of II Nassau Veterans' Memorial Coliseum, Uniondale, NY 3 FOB (right in front of Jerry): Kenny Mence Recording/Aoxoa Transfer: AKG CE-1>Uher Cr-240
03.28.85 II of II Nassau Veterans' Memorial Coliseum, Uniondale, NY 2 DVD
03.31.85 II of II Cumberland County Civic Center, Portland, ME 2 AKG mics - patched into a friend's setup (tapers section) > Sony TCDM5; Played back on Nak - Recording and all transfers by Rango Keshavan
03.31.85 only set II Cumberland County Civic Center, Portland, ME 1 DVD
04.01.85 II of II Cumberland County Civic Center, Portland, ME 3 FOB (right in front of Jerry): Kenny Mence Recording/Aoxoa Transfer: AKG CE-1>Uher Cr-240
04.04.85 II of II Providence Civic Center, Providence, RI 2
Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer:
Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac; Recorded by the Oade Brothers
04.06.85 II of II Spectrum, Philadelphia, PA 2 FOB:Sony TCD5M with 2 Beyer Dynamic 160's > Sony CDR-W66 > EAC > CDWave > CDA; John Ficca recording and transfer
04.07.85 II of II Spectrum, Philadelphia, PA 2 FOB:2 Nak 300s with Shotgun Capsules & 1 Beyer 160 > Sony TCD5M with 2 Beyer Dynamic 160's > Sony CDR-W66 > EAC > CDWave > CDA; Master Tapes by Ficca
04.07.85 II of II Spectrum, Philadelphia, PA 2 Source: Csbd>DAT>CDR>EAC>SHN
04.08.85 II of II Spectrum, Philadelphia, PA 2 FOB:John Ficca recording
04.08.85 II of II Spectrum, Philadelphia, PA 2 DVD BoloBus Production:
video: AUD (Tripod) > 1st Gen VHS 1st Gen VHS > JVC S-VHS Player > Canopus ADVC-100 > Firewire > Vegas6 > Architect 3 > DVD5 NTSC 4:3 [D1 8200 kbs, D2 7500 kbs] 720X480 29.97 fps
04.14.85 II of II Irvine Meadows Amphitheatre, Irvine, CA 2 sbdmc>dat>cdr
04.27.85 II of II Frost Amphitheatre, Stanford U, Palo Alto, CA 3
SBD -> Master Cassette -> Dat (44.1k - Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN) 8/20/04
06.14.85 II of II U. C. - Berkeley, Greek Theatre, Berkeley, CA 2 Source: Taper's Section -- Schoeps cmc42S (spread around 8') > Oade M118 pro-
totype "b" > Oade Modified PCM-F1 > DATx2 (44.1khz) Recorded by Doug Oade; DAT -> CD conversion: Sony pcm-m1 > coax > Zoltrix Nightingale (coax mod)> cdwav (resampling, if necessary, with Cooledit 2000).
06.15.85 II of II (missing US Blues) U. C. - Berkeley, Greek Theatre, Berkeley, CA 3 Source: Oade PCM-AUD -- Schoeps MK41 (90 deg ORTF -- Tapers' Section) ->CMC4 -> Oade M118 prototype "b" -> Oade Modified PCM-F1 -> DAT Recorded by Doug Oade; Transfer: Set I: (48K DAT) Sony PCM-M1 -> Sonic Sense Modified Sony 7 Pin Coax -> Zoltrix Nightingale (coax Mod) -> Cooledit 2k (sample rate conversion) -> CDWAV -> SHN; Set II: (44.1k DAT, from Doug Oade) Sony PCM-M1 -> Sonic Sense Modified Sony 7 Pin Coax -> Zoltrix Nightingale (coax Mod) -> CDWAV -> SHN
06.15.85 only set II U. C. - Berkeley, Greek Theatre, Berkeley, CA 2
06.15.85 only set II U. C. - Berkeley, Greek Theatre, Berkeley, CA 1 DVD - Video Source: Single Cam Audience>VHS (Unknown Gens)>D. Minor's Standalone Capture> TMPGenc MPEG Editor (Lossless)>Vegas 7.0> DvdLab Pro 2.0>DVD (MPEG_@ 8 mbps); A
udio Source 1: Schoeps cmc441 (90deg, 17cm) > Oade M118 >
Oade mod SONY PCM-F1. via the Oade Bros. with help from D. Sacks. Dolby Digital AC3 (shnid=24586); Audio Source 2: SBD fed into camera-Dolby Digital AC3 from source video

06.16.85 II of II U. C. - Berkeley, Greek Theatre, Berkeley, CA 3 Source -- Doug Oade recording, tapers section -- Schoeps CMC441 (hypercard caps, 90 deg ORTF) > Oade M118 Mic Pre > Oade Modified Sony PCM-F1 > DAT x?; DAT -> CD conversion: Sony pcm-m1 > coax > Zoltrix Nightingale (coax mod)> cdwav (resampling, if necessary, with Cooledit 2000).
06.21.85 II of II
Alpine Valley Music Theatre, East Troy, WI 2 Master Soundboard Cassette > DAT > CDR
06.22.85 II of II Alpine Valley Music Theatre, East Troy, WI 2 SBD>?>CD
06.24.85 II of II Riverbend Music Center, Cincinnati, OH 3 Source: SBD -> CM -> PCM -> DAT Transfer: D8 -> Montego II -> Cool Edit 2k
06.25.85 II of II Blossom Music Center, Cuyahoga Falls, OH 2 SBD>Master Cassette>DAT>CDR>EAC>SHN
06.27.85 II of II Saratoga Performing Arts Center, Saratoga, NY 3 Amy's Soundboard VHS > Cassette > DAT> CDR > SHN >CDR
06.28.85 II of II Hershey Park Stadium, Hershey, PA 2 CD>SHN; a couple of soft pops in Tom Thumb, a couple of static incidences in Drums, some distortion in Morning Dew caused by levels set too high and a dropout in Day Job
06.30.85 II of II Merriweather Post Pavilion, Columbia, MD 3 SBDmc>DAT>CD
06.30.85 only set II Merriweath
er Post Pavilion, Columbia, MD 2 Oade recording: Schoeps CMC441 (@ 90 degrees) > Oade M118 > Oade Modified PCM-F1 > DATs > CDRs > EAC > SHN (Seekable) SBD cassette master>DAT>CD>EAC>SNH
07.01.85 II of II Merriweather Post Pavilion, Columbia, MD 3 Oade recording Schoepps CMC 441>Oade M118>modified Sony PCM-F1>dat>cdr Dropouts patched w/ Tiger Rose's FOB: Beyer M160>sony D5
07.02.85 II of II Pittsburgh Civic Arena, Pittsburgh, PA 2 FOB:Senn 421's> SonyTC-D5>DAT> CD; Mastered by Mark Horvath who noted: There are low level crackle sounds coming from the PA during several songs, mostly Roses & Mingle.
08.30.85 II of II Southern Star Amphitheatre, Houston, TX 2 Set I: 1 FOB(center):Beyer Dynamic 160's> Sony TCD5M > Sony CDR-W66->EAC->cdWave->CD. Boda recording, Ficca transfer; Set II: Source: SBD > ? > CD-R obtained by Slick Willie > US Mail > EAC > correction of obviously stoned, on-the-fly tracking > SHN by sunspot (mike@great-silk-road.net)
08.31.85 II of II Manor Downs, Austin, TX 3 Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1;
Oade Brothers Recording
09.03.85 II of II Starlight Theatre, Kansas City, MO 2 Oade Master -- 90 degree X-Y CMC441 + CMC42s (spaced 10') -> Oade mixer->Oade mod PCM-F1 first row behind board > ? (no digital processing performed) > Audio CDR from Doug Oade > EAC > SHN (seekable)
09.05.85 II of II Red Rocks Amphitheatre, Morrison, CO 2 SBD:mc>dat>cdr
09.05.85 II of II Red Rocks Amphitheatre, Morrison, CO 3 DVD
09.06.85 II of II Red Rocks Amphitheatre, Morrison, CO 2 SBD:mc>dat>cdr
09.07.85 II of II Red Rocks Amphitheatre, Morrison, CO 3 Schoeps CMC42S>Oade power supply +90deg x-y Schoeps CMC441>Oade power supply. Then both into custom Oade mixer into Oade modified PCM-F1 and digitally remastered by Doug Oade>DAT > TB Fiji digi I/O > yarec > wav2cdr > wav
09.10.85 II of II Henry J. Kaiser Convention Center, Oakland, CA 2 Source: SBD>Reel>DAT; d1 tracks 1-7 DAT>CDR>EAC>SHN; rest DAT>SHN; Conversion: Tascam DA-20 MK II (via RCA analog out for pre-emphasis removal) > Tascam DA-20 > Delta Dio 2496 > Soundforge XP 4.5 (volume change and channel swap) > CD Wave > SHN; Taped by ?, Converted by Rob (Odeo) Harrison (www.odeo.net) Known problems: Tiny dropout in Jack Straw.
09.15.85 II of II Southwestern College Chula Vista, CA 2
AUD: Unknown Mics (parabolic reflectors, 40" apart)>Unknown deck>CM> C> Sony R500 w/ SBM (a/d)>WAV>CD-R
10.26.85 II of II Sun Dome, Tampa, FL 2 SBD>MC (Sony D5/Maxell MX90); MC (Sony TC-WE475)>Sony R500 (Pass Through)>SEK'D Prodif Plus>amplitude Professional v8.01>FLAC; Patch Info: AKG CE-1>Master Cassette>Dat>Cool Edit 2000>CD supplies: Stagger Lee (0:00 - 0:02);
Space (0:00 - 0:24)
10.28.85 II of II Fox Theatre, Atlanta, GA 2 Nak 300-> Sony D-5 > CD
10.29.85 II of II Fox Theatre, Atlanta, GA 2 Nak 300-> Sony D-5 > CD
10.31.85 II of II Carolina Coliseum, U of South Carolina, Columbia, SC 2 Oade DFOB -- Schoeps CMC441 (spaced 17cm@90deg) + CMC42 (Spread
8')> Oade M118 > Sony PCM-F1 > DAT (@44.1k) DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)> Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN(Seekable) Seeded by Darrin Sacks; Also to abgd via Charlie Connor
11.01.85 II of II Richmond Coliseum, Richmond, VA 3 Primary Source: Oade DFOB -- Schoeps CMC441 (spaced 17cm@90deg) + CMC42 (Spread 8')> Oade M118 > Sony PCM-F1 > DAT (@44.1k) DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable); Secondary Source: Charlie Connor's Cassette Master: FOB>Beyer M88's>Sony TCM D5>Wav The Secondary Source Supplies patch on d1t02 3:28-3:34
11.01.85 II of II Richmond Coliseum, Richmond, VA 3 Nak CM-300s w/ shotguns > Marantz PMD430. Front right tapers section (immediately behind soundboard). MAC > CD (via Nak Dragon). Recorded by Michael Sewall.
11.02.85 II of II Richmond Coliseum, Richmond, VA 3 Nak CM-300s w/ shotguns > Marantz PMD430. Front right tapers section (immediately behind soundboard). MAC > CD (via Nak Dragon). Recorded by Michael Sewall.
11.02.85 only set II (missing E) Richmond Coliseum, Richmond, VA 1 Source: FOB>AUD>Neumann U87s>Sony D6 (Patched)> Maxell XLII90 MC>CDR (Marantz Pro CDR 500) - Paul Hogan Recording
11.02.85 only set II Richmond Coliseum, Richmond, VA 1 DVD
11.05.85 II of II The Centrum, Worcester, MA 2 sdb>>reel master>>cassette>>dat>>cdr
11.07.85 II of II Community War Memorial, Rochester NY 3 Source: MSC>Reel to Reel>DAT>CDR>TAE>CDR> EAC> Shnv; Aud Source: Charlie Connor's MAC (Maxell MX90) - Aud Source provided for D1t03 CC Rider, d3t01 Space 2:35 -2:59; Audience Source: FOB AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT) - for d1t05 Mama Tried, d1t06 Mexicalli, d1t07 Cumberland, d1t08 BIODTL 0:0 to 0:18
11.08.85 II of II Community War Memorial, Rochester NY 2 SBD; Aud patch - Jack Straw, Might as Well
11.10.85 II of II Meadownlands Arena, East Rutherford, NJ 2 Source: FOB (rig unknown) MAC>Sony CDR-W66>EAC>CD Wave>CD; John Ficca transfer
11.11.85 II of II Meadownlands Arena, East Rutherford, NJ 2 Source: FOB (rig unknown) MAC>Sony CDR-W66>EAC>CD Wave>CD; John Ficca Recording & Transfer
11.11.85 II of II Meadownlands Arena, East Rutherford, NJ 3 Source: AUD>MC>CDR; Beyer M160s>TC-D5M; Jim Vita Recording
11.21.85 II of II Henry J. Kaiser Convention Center, Oakland, CA 2 dsbd>pcm>dat>cdr
12.31.85 set I partial Oakland Coliseum Arena, Oakland, CA 1 DVD

1986
02.08.86 II of II Henry J. Kaiser Convention Center, Oakland, CA 2 Source: SBD>MC>PCM>CDR>WAV>SHNv3
03.19.86 II of II Hampton Coliseum, Hampton, VA 2 Source: FOB:mc>dat>cdr; Nak 100 Shotguns>Sony D5
03.20.86 II of II Hampton Coliseum, Hampton, VA 2 Source: FOB:mc>dat>cdr; Nak 100 Shotguns>Sony D5
03.21.86 II of II Hampton Coliseum, Hampton, VA 2 Source: FOB:mc>dat>cdr; Nak 100 Shotguns>Sony D5
03.23.86 II of II Spectrum, Philadelphia, PA 2 Larry Gindoff Recording, Senn 441s & Nak 300 Shotguns> Sony D-5 via a Real Blend Box using Maxell MX-90s> analog to digi Yamaha KX-W421>HHB 850 >CDR
03.24.86 II of II Spectrum, Philadelphia, PA 2 VCD
03.24.86 II of II Spectrum, Philadelphia, PA 2 DVD
03.24.86 II of II Spectrum, Philadelphia, PA 2 Source: AUD>FOB>mc>cdr; Neumann U87's>Uher CR-240 - Paul Hogan recording
03.25.86 II of II Spectrum, Philadelphia, PA 2 VCD
03.25.86 II of II Spectrum, Philadelphia, PA 2 Source: AUD>FOB>Schoeps CMC 3>Sony F1>DAT>CDR
03.27.86 II of II Cumberland County Civic Center, Portland, ME 2 Source: FOB(CENTER)>AUD>MC>CDR Neumann U87's>Uher CR240>Maxell XLII 90 Cass. Master>Marantz Pro CDR 500 - Paul Hogan recording.
03.28.86 II of II Cumberland County Civic Center, Portland, ME 2 Source: FOB(CENTER)>AUD>MC>CDR Neumann U87's>Uher CR240>Maxell XLII 90 Cass. Master>Marantz Pro CDR 500 - Paul Hogan recording.
03.30.86 II of II Providence Civic Center, Providence, RI IPOD
03.31.86 II of II Providence Civic Center, Providence, RI Source:
(FOB) Schoeps -> PCM -> Dat; Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Patch Source: Nakamichi 300/CP4 -> Master Cassette (Marantz PMD430) -> CD (Tascam CDRW5000) -> EAC -> Cool Edit Pro v1.2 -> SHN (Taped By Jon Pasternak)
04.3.86 II of II Hartford Civic Center, Hartford, CT 3 Source: Sounboard Master Cassette>DAT>CDR>EAC>SHN
04.19.86 II of II Berkeley Community Theater, Berkeley, CA 2 Source: SBD>MC>DAT>CDR>WAV>SHN
04.21.86 II of II Berkeley Community Theater, Berkeley, CA 2 SBD>Master Cassette>DAT>CDR>EAC>SHN
06.21.86 II of II U. C. - Berkeley, Greek Theatre, Berkeley, CA 3 MAC>DAT>CDR; Senn 441s>Sony TC-D5
06.22.86 II of II U. C. - Berkeley, Greek Theatre, Berkeley, CA 3 DSDB>DAT>CDr
06.28.86 II of II Alpine Valley, East Troy, WI 2 4 Nak cm100/cp4's > mixer > Sony TC-D5M master cassette recorded by Brian O'Connell
06.29.86 II of II Alpine Valley, East Troy, WI 2 4 Nak cm100/cp4's > mixer > Sony TC-D5M master cassette recorded by Brian O'Connell
07.2.86 II of II Rubber Bowl, University of Akron, OH IPOD
07.04.86 partial of II Rich Stadium, Orchard Park, NY 1 VCD
12.15.86 II of II Oakland Coliseum Arena, Oakland, CA 3 Master Dolby B Cass>Sonic Solutions via TC2000 @ 24 bits>SBM2 CD>CD > EAC[secure] > SHN
12.16.86 only Set II Oakland Coliseum Arena, Oakland, CA 1 Source: FOB (right side, ~1/2 way back)>AUD>MC>CDR; Nak 300s > Marantz PMD430 Nakamichi Dragon (MAC) > CD-R (using a Philips stand-alone burner with analog inputs, no processing); Michael Sewall (Stankibus) recording
12.27.86 II of II Henry J. Kaiser Convention Center, Oakland, CA 3 SBD:mc>dat>cdr
12.28.86 II of II Henry J. Kaiser Convention Center, Oakland, CA 3 Schoepps>pcm>dat>cdr (digi-noise t4d3)
12.31.86 III of III Henry J. Kaiser Convention Center, Oakland, CA 3 Source: Pre-FM SBD>DAT>CDR>WAV>SHNv3

1987
03.02.87 II of II Kaiser Auditorium, Oakland, CA 2 sdb
03.22.87 II of II Hampton Coliseum, Hampton, VA 2 Nak 300 shotguns>Sony D5 by Larry Gingoff; Aud: MC>CD, by Tom Banjo
03.23.87 II of II Hampton Coliseum, Hampton, VA 2 Nak 300 shotguns>Sony D5 by Larry Gingoff; Aud: MC>CD, by Tom Banjo
03.24.87 II of II Hampton Coliseum, Hampton, VA 2 Nak 300 shotguns>Sony D5 by Larry Gingoff; Aud: MC>CD, by Tom Banjo
03.24.87 II of II Hampton Coliseum, Hampton, VA 2 DVD
03.29.87 II of II Spectrum, Philadelphia, PA 3 Source: FOB w/ Senn ME-80's->MC->DAT@44.1->ZA2->SHN
03.30.87 II of II Spectrum, Philadelphia, PA 3 Source: FOB w/ Senn ME-80's->MC->DAT@44.1->ZA2->SHN
03.31.87 II of II Spectrum, Philadelphia, PA 3 Source: FOB w/ Senn ME-80's->MC->DAT@44.1->ZA2->SHN
04.02.87 II of II The Centrum, Worcester, MA 3 Source: Nak 300 shotgun mics > Marantz PMD430 deck > Maxell MX or MX-S metal tapes. Recorded and transferred by Stankibus
04.02.87 II of II The Centrum, Worcester, MA 2 Source: FOB w/ Senn ME-80's->MC->DAT@44.1->ZA2->SHN
04.03.87 II of II The Centrum, Worcester, MA 2 Source: Nak 300 shotgun mics > Marantz PMD430 deck > Maxell MX or MX-S metal tapes. Recorded and transferred by Stankibus
04.03.87 II of II The Centrum, Worcester, MA 2 Source: FOB w/ Senn ME-80's->MC->DAT@44.1->ZA2->SHN
04.04.87 II of II The Centrum, Worcester, MA 2 Source: Nak 300 shotgun mics > Marantz PMD430 deck > Maxell MX or MX-S metal tapes. Recorded and transferred by Stankibus
04.04.87 II of II The Centrum, Worcester, MA 2 Source: FOB w/ Senn ME-80's->MC->DAT@44.1->ZA2->SHN
04.07.87 II of II Meadownlands Arena, East Rutherford, NJ 3 AUD>MC>DAT>CDR; Schoeps CMC-441âs>Sony D-5
04.09.87 II of II UIC Pavilion, Chicago, IL 2 Source: FOB w/ Senn ME-80's->MC->DAT@44.1->ZA2->SHN
04.10.87 II of II UIC Pavilion, Chicago, IL 2 Source: FOB w/ Senn ME-80's->MC->DAT@44.1->ZA2->SHN
04.10.87 II of II UIC Pavilion, Chicago, IL 2 Source: Audience - lineage unknown
04.11.87 II of II UIC Pavilion, Chicago, IL 2 most likely an FM source from the GDH
04.11.87 II of II UIC Pavilion, Chicago, IL 2 Source: FOB w/ Senn ME-80's->MC->DAT@44.1->ZA2->SHN
05.02.87 II of II Frost Amphitheatre, Stanford U, Palo Alto, CA 2 S
ource: SBD > MC > DAT > EAC > SHN
05.03.87 II of II Frost Amphitheatre, Stanford U, Palo Alto, CA 3 DSBD/DAUD MIX 65% DSBD PRE-FM SBD --> PCM --> DAT --> CDR >35% FOB Schoeps CMC32S > Grace P.S. > Sony PCM601 ES > DAT > CDR
05.09.87 II of II Laguna Seca Raceway, Monterey, CA 3 matrix SBDMC>Dat>CDR
05.10.87 II of II Laguna Seca Raceway, Monterey, CA 3 Master>Dat>CDR
06.12.87 Ventura County Fairgrounds, Ventura, CA 2 MSC > PCM > DAT> CDR
06.13.87 Ventura County Fairgrounds, Ventura, CA 3 MSC > PCM > DAT> CDR
06.14.87 Ventura County Fairgrounds, Ventura, CA 3 MSC > PCM > DAT> CDR
06.20.87 II of II U. C. - Berkeley, Greek Theatre, Berkeley, CA 2 Master Soundboard Cassette > DAT> CDR
06.26.87 II of II Alpine Valley, East Troy, WI 3 Scott Bille recording - Nak 300's>Sony D5. Transfer: Denon DRM740 > tascam CD-RW 700
06.27.87 II of II Alpine Valley, East Troy, WI 2 Scott Bille recording - Nak 300's>Sony D5. Transfer: Denon DRM740 > tascam CD-RW 700
06.28.87 II of II Alpine Valley, East Troy, WI 2 Scott Bille recording - Nak 300's>Sony D5. Transfer: Denon DRM740 > tascam CD-RW 700
07.02.87 II of II Silver Stadium, Rochester, NY 3 Healy Ultramix>DAT>CDR
07.04.87 Dylan & Dead, Schaefer Stadium, Foxboro, MA 1 VCD
07.06.87 II of II Civic Arena, Pittsburgh, PA 2 AUD>no other lineage info; CDR>EAC>cdwav>shn
07.07.87 II of II Roanoke Civic Center, Roanoke, VA 2 AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.57 (tracking only)>SHNv3 (MKW ACT)
07.10.87 II of II JFK Stadium, Philadelphia, PA 3 FOB>>aud>>senn me80>>cassette master>>cdr
07.12.87 only Dylan Set Dylan & Dead, Giants Stadium, East Rutherford, NJ 1 VCD
07.12.87 III of III Dylan & Dead, Giants Stadium, East Rutherford, NJ 3 DVD
08.22.87 II of II Calveras County Fairgrounds, Angels Camp, CA 2 SBD>Master PCM>DAT>CDR
08.23.87 II of II Calveras County Fairgrounds, Angels Camp, CA 2 SBD>MC>DAT>CDR>EAC>shn
09.07.87 II of II Providence Civic Center, Providence, RI 2 Recorded: Sec: 8, Row: D, Seat: 11 (Taper's Section) - Sony ECM220T mics > Sony TCDM5 Cassette deck > Maxell MX90 tapes NO DOLBY; Digitizing process: Nak DR1 using Azimuth adjustment > Sony PCMR500 DAT with SBM ON for A>D > Turtle Beach Montego II Digital I/O sound card > CD Waves > Cool Edit for putting waves together > CDWav for breaking up wav > Shorten
09.08.87 II of II Providence Civic Center, Providence, RI 2 Recorded: Sec: 8, Row: E, Seat: 2 (Taper's Section) - Sony ECM220T mics > Sony TCDM5 Cassette deck > Maxell MX90 tapes NO DOLBY; Digitizing process: Nak DR1 using Azimuth adjustment > Sony PCMR500 DAT with SBM ON for A>D > Turtle Beach Montego II Digital I/O sound card > CD Waves > Cool Edit for putting waves together > CDWav for breaking up wav > Shorten
09.09.87 II of II Providence Civic Center, Providence, RI 2 Recorded: Sec: 8, Row: E, Seat: 4 (Taper's Section) - Sony ECM220T mics > Sony TCDM5 Cassette deck > Maxell MX90 tapes NO DOLBY; Digitizing process: Nak DR1 using Azimuth adjustment > Sony PCMR500 DAT with SBM ON for A>D > Turtle Beach Montego II Digital I/O sound card > CD Waves > Cool Edit for putting waves together > CDWav for breaking up wav > Shorten
09.09.87 II of II Providence Civic Center, Providence, RI 2 Nak 300's > Sony D5 Casette Master > Sound Forge (wav) > Shn
09.15.87 II of II Madison Square Garden, New York, NY 3
Recording Info: SBD -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (2 Discs Audio / 2 Discs SHN)
09.16.87 II of II Madison Square Garden, New York, NY IPOD
09.18.87 II of II Madison Square Garden, NY, NY 3 Primary source: SBD PCM>DAT x3>WAV>SHN; Shakedown patch source: unknwon SBD; Space patch source: SBD PCM>CASS>DAT>WAV; remaster of shnid=10536
09.22.87 II of II Spectrum, Philadelphia, PA 2 Unconfirmed lineage: sbdmc>dat>cdr
09.24.87 II of II Spectrum, Philadelphia, PA 3 SBD
1
1.14.87 II of II Long Beach Arena, Long Beach, CA 2 Source 1 = SBD -> Cm -> Cass -> Sony SBM1(Modified) -> VX Pocket -> Samplitude -> Cool Edit Pro -> SHN Charlie Miller Seed; Source 2 = FOB Nak’s>cassette master > DAT > CDR > EAC > SHN via Todd Norman; Source 3 = SBD>Cm>?>SHN via Todd Norman
11.15.87 II of II Long Beach Arena, Long Beach, CA 2 Source: SBD > MC > Sonic Solutions > Pre-FM Dat @44.1 Transfer: DA-P1 > Delta Audiophile 2496 > Sound Forge 5 > CDWave > mkwACT; Transfer by Doug Nawrocki

1988
03.26.88 only set II Coliseum Hampton, Hampton, VA 1 DVD
03.27.88 II of II Hampton Coliseum, Hampton, VA 3 DATSBD (Panasonic 3800)>CD (HHB CDR800)>EAC>SHN Known Flaws - last minute of Let it Grow is cut
03.30.88 II of II Meadownlands Arena, East Rutherford, NJ 2 Source: S.A.R (sbd, audience, radio) => NAK 300 Shotguns/sbd/FM radio signal => Real Blend Box => Maxell MX-90s => Sony D-5 => (Analog to digi via) Yamaha KX-W421 (0 db) => HHb 850 => CDR
04.01.88 II of II Meadownlands Arena, East Rutherford, NJ 2 Ultramatrix (SBD/AUD mix); Lineage: DAT> ?> CD> SHN
04.09.88 II of II The Centrum, Worcester, MA 3 Source: Pre-FM broadcast; Lineage: Master Reel> VHS (PCM)> DAT> CD> SHN
04.11.88 II of II Joe Louis Arena, Detroit, MI 2 SBD > In house FM broadcast > MC
04.15.88 II of II Rosemont Horizon, Rosemont, IL 2 Source: S:C?-> cdr->(eac'd)wav->shn; (pre-broadcast master GDH CD)
06.22.88 II of II Alpine Valley, East Troy, WI 3 (16th row center) SENN 441>PMD 430>DAT>CD - recorded by Craig Camus
06.23.88 II of II Alpine Valley, East Troy, WI 2 DSBD
06.23.88 II of II Alpine Valley, East Troy, WI 3 (16th row center) SENN 441>PMD 430>DAT>CD - recorded by Craig Camus
06.30.88 II of II Silver Stadium, Rochester, NY 3 Source: Schoeps CMC5/mk21 fob
07.02.88 II of II Oxford Plains Speedway, Oxford, ME 3 Source: SBD>Master Cassette>DAT>CDR>EAC>SHN
07.02.88 set II only Oxford Plains Speedway, Oxford, ME 1 DVD
07.03.88 II of II Oxford Plains Speedway, Oxford, ME 2 SBD>DAT>Sonic Solutions>CDR>EAC>CD>EAC>SHN
07.15.88 II of II U. C. - Berkeley, Greek Theatre, Berkeley, CA 3 SBD??
07.16.88 II of II U. C. - Berkeley, Greek Theatre, Berkeley, CA 3 SBD??
07.17.88 II of II U. C. - Berkeley, Greek Theatre, Berkeley, CA 3 SBD>DAT Master>CDR>EAC>WAV>SHN
07.29.88 II of II Laguna Seca Raceway, Monterey, CA 3 SBD>DAT>CDR; Encore is unknown aud source
09.03.88 II of II Capitol Center, Landover, MD 2 Senn ME80's->MC->DAT@44.1->ZA2->
Sound Forge 5.0 remaster->CDWave v1.57->SHN
09.09.88 II of II Spectrum, Philadelphia, PA 2 SBD>Metal Cassette Master>DAT; Tascam DA20>HHb850>CDR by Tom Donaldson et al; CDR> EAC> CDR> EAC> MKW Utility> .shn files> abgd by John A.;
09.12.88 II of II Spectrum, Philadelphia, PA 3 SBD/Matrix > MC > DAT > CDR > EAC > mkwACT
0
9.14.88 II of II (missing E) Madison Square Garden, NY, NY 2 SBD>MC>DAT>CD
09.15.88 II of II Madison Square Garden, NY, NY 2 SBD>MC>DAT>CD
09.16.88 II of II Madison Square Garden, NY, NY 3
Soundboard>Master Cassette>DAT>CD
09.20.88 II of II Madison Square Garden, NY, NY 2 SBD>DAT>Casette Master>DAT>Montego II>CDR
09.30.88 only set II Shoreline Amphitheater, Mountain View, CA 1 Cassette Soundboard (matrix)>DAT>CDR>EAC>SHN(seekable) EAC/SHN by Darrin Sacks
10.01.88 II of II Shoreline Amphitheater, Mountain View, CA 2 Cassette Soundboard (matrix)>DAT>CDR>EAC>SHN(seekable) EAC/SHN by Darrin Sacks
10.02.88 II of II Shoreline Amphitheater, Mountain View, CA 3 Cassette Soundboard>DAT>CDR>EAC>SHN(seekable) EAC/SHN by Darrin Sacks
10.14.88 II of II Miami Arena, Miami, FL 2
*REPITCHED VERSION* Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN (2 Discs Audio / 2 Discs SHN)
10.15.88 II of II Bayfront Center, St. Petersburg, FL 2 Source: UNKNOWN AUD>?>?>SHN
12.29.88 II of II Oakland Coliseum Arena, Oakland, CA 3 SOURCE: Ultra-Matrix DSBD>DAT>CDR>EAC>HD>SHN
12.31.88 II of II Oakland-Alameda County Coliseum, Oakland, CA 3 SBD: Healy Mix>PCM>DAT>DALCardDeluxe>WAV>CD>EAC>SHN Healy Mix = SBD+AKG C 424b mic.

1989
02.05.89 II of II Henry J. Kaiser Convention Center, Oakland, CA 3 FOB: PCM Schoeps CMC 3 Mk 4
02.06.89 II of II Henry J. Kaiser Convention Center, Oakland, CA 3 FOB: PCM Schoeps CMC 3 Mk 4
02.07.89 II of II Henry J. Kaiser Convention Center, Oakland, CA 3 FOB: PCM Schoeps CMC 3 Mk 4
02.12.89 II of II Great Western Forum, Inglewood, CA 2 SBD>Cm>Dat>Samplitude>CD > Dat was resampled from 48k to 44.1k with Samplitude. The Transfer was done as follows: Dat (Sony R500) > Sound Devices USB Pre > Sony Vaio C1VP > Samplitude 5.9 > CD (Plextor 24x); Tracked with CD Wave; Fades done with Cool Edit Pro
03.30.89 II of II Greensboro Coliseum, Greensboro, NC 2 Source: FOB: MAC>CDR; Senn. 421s>Sony TC-D5; Horvath recording
03.31.89 II of II Greensboro Coliseum, Greensboro, NC 3 Source: FOB: Schoeps cmc?/mk21>DAT
04.05.89 II of II Crisler Arena (U of Michigan), Ann Arbor, MI 3 Healy Ultra Mix - sbd+aud> cm> dat> cd
04.09.89 II of II Freedom Hall, Louisville, KY 3 SBD>CM>DAT>CD>EAC>SHN
04.09.89 II of II Freedom Hall, Louisville, KY 3 DVD
04.11.89 II of II Rosemont Horizon, Rosemont, IL 3 SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN
04.13.89 II of II Rosemont Horizon, Rosemont, IL 2 SBD > Dat > CDR > EAC > CDWave > mkwACT
05.06.89 II of II Frost Amphitheatre, Stanford U., Palo Alto, CA 3 DSBD
05.07.89 II of II Frost Amphitheatre, Stanford U., Palo Alto, CA 3 SBD>DAT>DALCardDeluxe>WAV>CD>SHN DAT at 48kHz-Wave file resampled to 44.1 with Audio Magic Ring Software; File normalized (low levels) with DC-Art Millennium (Peak Normalization); even assorted pops and gliches corrected.
05.07.89 II of II Frost Amphitheatre, Stanford U., Palo Alto, CA 2 updated source: bootleg CD> WAV> SHN; note Other One missing
06.18.89 II of II Shoreline Amphitheater, Mountain View, CA 3
Source: SBD>??>DAT>CDR
06.19.89 II of II Shoreline Amphitheater, Mountain View, CA 3 SBD>DAT>CDR
06.21.89 II of II Shoreline Amphitheatre, Mountain View, CA 3 VCD
06.21.89 II of II Shoreline Amphitheatre, Mountain View, CA 2 DVD
07.02.89 II of II
Sullivan Stadium, Foxboro, MA 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern
07.02.89 I of I Sullivan Stadium, Foxboro, MA 1 VCD
07.07.89 II of II J.F.K. Stadium, Philadephia, PA 3 Source:(Healy Mix) SBD>MC>DAT>CDR>EAC>SHN
07.07.87 II of II JFK Stadium, Philadelphia, PA 3 DVD
07.09.89 II of II Giants Stadium, East Rutherford, NJ 3 FOB AUD (AKG 414 TLs) - D3 missing t1
07.10.89 II of II Giants Stadium, East Rutherford, NJ 3
Source: Unknown SBD (Matrix)
07.18.89 II of II Alpine Valley, E. Troy, WI 3 DSBD>DAT>CD
07.19.89 II of II Alpine Valley, E. Troy, WI 3 DSBD -> DAT -> CD -> eac -> SHN
08.04.89 II of II Cal Expo, Sacramento, CA IPOD
08.05.89 II of II Cal Expo, Sacramento, CA 2
Source: FOB Schoeps MK2 (spread) > dat > cdr
08.19.89 II of II Greek Theatre, U. of California, Berkeley, CA IPOD
09.30.89 II of II Shoreline Amphitheatre, Mountain View, CA 3 DVD w/ filler
10.08.89 II of II Hampton Coliseum, Hampton, VA 3 SBD>Cassette Master (TDK MA-XG90); Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->Samplitude Professional v8.01 -> FLAC/16; Patch Info: (FOB) Schoeps CMC3/MK4 -> Dat -> CD supplies: Space (1:18 - 1:53); All Transfers and Mastering By Charlie Miller
10.08.89 II of II Hampton Coliseum, Hampton, VA 3 VCD
10.09.89 II of II Hampton Coliseum, Hampton, VA 3 VCD
10.09.89 II of II Hampton Coliseum, Hampton, VA 3 SBD>CASS(x)>DAT>CDR>EAC>SHN
10.15.89 II of II Brendan Byrne Arena, East Rutherford, NJ 2 SBD>C>DAT>CDR
10.16.89 II of II Brendan Byrne Arena, East Rutherford, NJ 2 DSBD>DAT>WAV>CD-R
10.16.89 II of II Brendan Byrne Arena, East Rutherford, NJ 3 DVD Video supplied by Lazy Cow. Captured by Ray B. Synch/Authored by BigWuRock. Audio supplied by Darryl Hinko.
Video: AUD (Tripod) > Master; Master: JVC Single Tube Camera, Nak 300 Shotguns > ? Decks > JVC Deck > VHS Master; Transfer: VHS Master > JVC HR-5393014 > Canopus ADVC110 > HP Compaq Presario > Vegas 6 > AVI > Architect 4 (Ray & Bigwu) [NTSC, 4:3, 8.0 Mbs, 720X480]; Audio: DSBD > DAT > WAV > CD-R [LPCM, 1.5 Mbs, 48 khz]
10.18.89 II of II Spectrum, Philadelphia, PA 3 Source: Healy Ultramix > MC > DAT > CDR > EAC > *CEP 2.0 > Add-A-Wave > CDWave > mkwACT
10.19.89 II of II Spectrum, Philadelphia, PA 3 SBD; EAC (high, secure, offset corrected)> shntool (boundaries confirmed) > SHNv3 (mkwact) by Chris L., from Mark Perini seed; d1t1 rt channel, digipop flaws
10.19.89 II of II Spectrum, Philadelphia, PA 3 DVD -
Audio: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16; Transfers and Mastering By Charlie Miller - LPCM, 1536 k/s; Video: JVC GXN8U (tripod) > JVC s20U > 0 DECKS > VHS master > Canopus ADVC1394 > avi > Vegas 5.0 > Architect 2.0 cbr: 7 m/s, 720 x 480, NTSC
10.20.89 II of II Spectrum, Philadelphia, PA 3 Ultra-Matrix Soundboard DAT > Cassette > DAT > CDR; Audience source supplies first 0:48 of "Hey Pocky Way" (d2t01); Alternate Sbd source supplies balance of "Hey Pocky Way" (d2t01) as well as the first 4:46 of "Scarlet Begonias" (d2t02)
10.22.89 II of II Charlotte Coliseum, Charlotte, NC 3 SBD>?>>CD> EAC>SHN
10.23.89 II of II Charlotte Coliseum, Charlotte, NC 3 SBD>DAT>Sonic Solutions>CD>FM >DAT>CDR> EAC>SHN
10.26.89 II of II Miami Arena, Miami, FL 3 SBD
12.06.89 II of II Oakland-Alameda County Coliseum, Oakland, CA 3 SBD -> Dat
12.10.89 II of II Great Western Forum, Inglewood, CA 3 DVD
12.27.89 II of II Oakland-Alameda County Coliseum, Oakland, CA 3 SBD:mc>cdr
12.28.89 II of II Oakland-Alameda County Coliseum, Oakland, CA 3 SBD:mc>cdr
12.30.89 II of II Oakland-Alameda County Coliseum, Oakland, CA 3
Source: Ultramatrix (SBD/AUD mix); Lineage: DAT> CD> SHN

1990
02.26.90 II of II Oakland Coliseum Arena, Oakland, CA 3 MSD > D > CD
03.19.90 II of II Hartford Civic Center, Hartford, CT 3 Pre-FM SB MR (at 15"per second) -> DAT-> CDRs -> EAC-> SHN
03.21.90 II of II Copps Coliseum, Hamilton, Ontario 3 SBD -> DAT -> CASS -> DAT -> CD - > EAC -> SHN
03.22.90 II of II Copps Coliseum, Hamilton, Ontario 3 SBD -> DAT -> CD -> EAC -> SHN
03.24.90 II of II Knickerbocker Arena, Albany, NY 3 Source:
SBD > Dat x 3 > CDR > SHN
03.26.90 II of II Knickerbocker Arena, Albany, NY 3 Source SMC > D > CD > EAC > CD > SHN
03.28.90 II of II Nassau Veterans' Memorial Coliseum, Uniondale, NY 2
03.28.90 II of II Nassau Veterans' Memorial Coliseum, Uniondale, NY 2 DVD
03.29.90 II of II Nassau Veterans' Memorial Coliseum, Uniondale, NY 3
04.02.90 II of II The Omni, Atlanta, GA 3 FOB:Audio Technica 815A Shotguns>Panasonic SV-250 (48KHz)
04.03.90 II of II The Omni, Atlanta, GA 3 FOB Nak 300/CP4's (Pair) + Sennheiser 441's (Pair) > Sony Mixer > Sony D10 Pro; EAC'd and Shned - Estim8ted@shakedown.etree.org
05.05.90 II of II California State U. Dominguez Hills, Carson, CA 2 SBD
05.06.90 II of II California State U. Dominguez Hills, Carson, CA 3 FOB
06.08.90 II of II Shoreline Amphitheater, Mountain View, CA 3 Source: FOB Matrix SBD > DAT > CDR > WAV > SHN; End of Sugar Magnolia and encore: Schoeps CMC 441's > PCM > SL2000 > DAT > Cass > SHN
06.09.90 II of II Shoreline Amphitheater, Mountain View, CA 3 sbd (matrix)>d>cdr>wav>shn>cdr
06.10.90 II of II Shoreline Amphitheater, Mountain View, CA 3 SBD/Matrix > DAT > CDR > WAV > SHN; *d/o in TN Jed fixed with splice from mike lai's audience source at 1:29 - 1:30 - (beeeeee.... bay-be) to be more specific.
07.04.90 II of II Sandstone Amphitheatre, Bonner Springs, KS 3
07.06.90 II of II Cardinal Stadium, Louisville, KY 3 SBD> D-> CDR-> EAC> SHN; quick d/o in pre-Drums jam
07.10.90 II of II Carter-Finley Stadium, Raleigh, NC 3 SBDMC> DAT> CDR-> EAC> SHN> CDR
07.12.90 II of II Robert F. Kennedy Stadium, Washington, DC 3 Source: SBD > DAT > DAT clones > my DAT > ZA-2 > wave (via Cool Edit) > CD-R master; CD-R master > EAC > waves > MKW shorten > .shn
07.16.90 II of II Rich Stadium, Orchard Park, NY 3 SBD
07.18.90 II of II Deer Creek Music Center, Noblesville, IN 3 FOB
07.19.90 II of II Deer Creek Music Center, Noblesville, IN 3 DSBRD> DAT> CD-R> EAC> SHN
07.21.90 II of II World Music Theatre, Tinley Park, IL 3 Master Soundboard DAT > CDR
07.23.90 II of II World Music Theatre, Tinley Park, IL 3
sbd>dat>cd>shn
07.23.90 II of II World Music Theatre, Tinley Park, IL 2 DVD (missing Victim)
09.18.90 II of II Madison Square Garden, NY, NY 3 DFOB MAD>D>CD Recorded by Dave Bratman with Schoeps mics
09.19.90 II of II Madison Square Garden, NY, NY 3 SBD>DAT>CDR>EAC>SHN
09.20.90 II of II Madison Square Garden, NY, NY 3 Primary Source: David Brotman: FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects).; Secondary Source: Healy SBD/AUD Ultramix > DAT > CD-R; Secondary Source supplies patches in Truckin' at 6:30-6:32 and at 8:40-8:42
09.20.90 II of II Madison Square Garden, NY, NY 3 DVD
10.31.90 II of II Wembly Stadium, London, England 3 SBD>DAT>CDR>EAC>SHN>CD>EAC>CD; There were some digi-pops and minor blemishes throughout this show that I did my best to edit out. They weren't major blemishes, but there were enough of them to make it annoying. The only real flaw that exists is a dropout at the beginning of the Encore, Wherewolves of London.
12.13.90 II of II McNichols Sports Arena, Denver, CO 3 sbd->dat->cdr
12.28.90 II of II Oakland Coliseum Arena, Oakland, CA 3 Matrix SBD

1991
03.17.91 II of II Capitol Center, Landover, MD 3 DSB>C>DAT>CDR (some static here and there)
04.01.91 only set II Greensboro Coliseum, Greensboro, NC 2 SBD>D>A>D>SSSB
06.09.91 II of II Buckeye Lake Music Center, Hebron, OH 3 SBD> D-> CDR-> EAC> SHN
06.16.91 II of II Giants Stadium, Meadowlands, NJ IPOD
06.17.91 II of II Giants Stadium, Meadowlands, NJ 3 AUDMD (B&K 4011's)>DAT>CDR
06.20.91 II of II Pine Knob Music Theatre, Clarkston, MI 3 SBD
09.04.91 II of II Richfield Coliseum, Richfield, OH 3 sbd>dat>c>dat>cdr
09.08.91 II of II Madison Square Garden, NY, NY 3 DSBD> DAT> CD
09.09.91 II of II Madison Square Garden, NY, NY 3 DSBD> DAT> CD
09.10.91 II of II Madison Square Garden, NY, NY 3 DSBD> DAT> CD
09.10.91 II of II Madison Square Garden, NY, NY 3 DVD
09.21.91 II of II Boston Garden, Boston, MA 3 SBD->DAT->CDR->EAC->SHN
09.22.91 II of II Boston Garden, Boston, MA 3 SBD > GD MASTER DIGITAL MULTI-TRACK > MARIN COUNTY DIGITAL MIXDOWN TO DAT > SSSB
09.24.91 II of II Boston Garden, Boston, MA 3 SBD > MC > DAT > CDR
10.27.91 II of II Oakland Coliseum Arena, Oakland, CA 3 SBD>DAT>ZA2>Soundforge 4>CD Architect>CDR>EAC>shn
10.31.91 II of II Oakland-Alameda County Coliseum 3 sbd> ?> shn; via Tony Gardner
11.03.91 II of II Venue Polo Field, Golden Gate Park, San Francisco, CA 1 DVD

1992
03.09.92 II of II Capitol Center, Landover, MD 3 SBD>DAT> C> PCM> DAT> CD> SHN
05.31.92 II of II Sam Boyd Silver Bowl, Las Vegas, NV 3 SBD > DAT > SONY D8 (S/PDIF) > HD > SHN
06.20.92 II of II RFK Stadium, Washington, DC 3 DSBD>DATs>CDRs>EAC>SHN
06.20.92 II of II RFK Stadium, Washington, DC 3 DVD
06.25.92 II of II Soldier Field, Chicago, IL 3 Source (Set I & 11) -> SBD > RF Digital Earpiece Monitor Mix Buss (mix was fed to Kreutzman/Hart) > Vault Archive ADAT > 24-bit/96 kHz 2-track Mixdown DAT (Marin County Source) > SSSB Source (encore) -> SBD > GD MASTER D > D > SSSB All editing & processing performed at 24-bit/96 kHz (100% digital realm) by: Jay Serafin, chief audio/video engineer at Serafin Station Studio B using the "code name Harpoon" editing software (beta Ver. 0.928.4 Build 88)

1993
03.16.93 II of II Capitol Center, Landover, MD 3 sbd>dat>c>dat>cdr
05.26.93 II of II Cal Expo, Sacramento, CA 3 M:C>D>CD>SHN
05.27.93 II of II Cal Expo, Sacramento, CA 3 M:C>D>SHN
08.21.93 II of II Autzen Stadium, U. of Oregon, Eugene, OR 2 SBD -> DAT -> CDR (bunch of EACs>CDR)
08.22.93 II of II Autzen Stadium, U. of Oregon, Eugene, OR 3 DSBD -> CD > CDR (liberated bootleg)
09.12.93 II of II Spectrum, Philadelphia, PA 3 FOB: Schoeps>D>CDr; Tiger Rose recording
09.14.93 II of II Spectrum, Philadelphia, PA 2 FOB: Schoeps>D>CDr; Tiger Rose recording
09.20.93 II of II Madison Square Garden, NY, NY 3 FOB>DAT>SHN>CDR
09.21.93 II of II Madison Square Garden, NY, NY 3 FOB>DAT>SHN>CDR

1994
10.01.94 II of II Boston Garden, Boston, MA 3 sbdmd>c>d>cdr
10.05.94 II of II Spectrum, Philadelphia, PA 2 SBD -> DAT -> CD -> Sonic Solutions -> CD-> SHN
10.14.94 II of II Madison Square Garden, NY, NY 3 sbdmd>c>d>cdr
10.17.94 II of II Madison Square Garden, NY, NY 3 dsbd>dat>cdr

1995
06.25.95 II of II RFK Stadium, Washington, DC 2 sbdmd

Jerry Garcia
Jerry Garcia Band & Related Jerry Projects
10.28.69 I 2400 Fulton St., Jefferson Airplane House, San Fran, CA 1 SBD > MR > Cass > DAT > CDR > WAV > CDR;
Jerry Garcia & Merl Saunders
11.07.74a I of I The Bottom Line, New York, NY 2 MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152)
Legion of Mary
04.08.75a I of I The Bottom Line, New York, NY 2 MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152)
04.10.75a I of I The Bottom Line, New York, NY 2 MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152)
04.12.75 I of I Masonic Temple, Scranton, PA 2 source: SBD (DAT: MSR>1R>P>D>ZA/2>SHN)
04.19.75 I of I Oriental Theatre, Milwaukee, WI 2
05.21.75 II of II Keystone, Berkeley, CA 2
06.04.75 II of II Keystone, Berkeley, CA 2
07.04.75 II of II Great American Music Hall, San Francisco, CA 3
Jerry Garcia Band
11.08.75 II of II
Keystone, Berkeley, CA 2 MS? > ? > CD > EAC > SHN
12.19.75 I of I Winterland Arena; San Francisco, CA 2 AUDMC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [mic placement unknown] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN; via Jack Warner; Extraction, re-tracking, and .shn encoding using EAC, CD Wave and WavMerge, and mkwACT by jupillej@mediaone.net. Proper sector boundaries verified with shntool. Notes: Pig's Boogie cuts in.
12.31.75 III of III The Keystone, Berkeley, CA 2
04.03.76b I of I Lisner Auditorium, GWU, Washington, DC 2 Sony ECM-99Ps > Sony TC-152 with the MAC > R > D > CD
07.09.76 only set II?? Keystone, Berkeley, CA 1 SBD>MR>REEL>PCM>DAT>CDR
07.08.77a & b both shows Calderone Theatre, Hempstead, NY 4 MAC (Taped by Jerry Moore, spaced AKG D-200Es or Sony ECM-33Ps [front of the balcony] > Sony TC-153 [Maxell XLII]) > Nakamichi Dragon playback > ART DI/O A-D converter > Egosys Waveterminal 2496 > Cool Edit 2000 > boundary
verification (shntool v1.01)> Plexwriter 12/10/32A (via Feurio) A> CD by David Minches
11.27.77a & b II of II The Palladium, New York, NY 3 AUD (DAT: MAC>D>CDR>EAC>SHN)
12.10.77b I of I Warner Theater Music Hall, Washington, DC 2 aud>>mics?>>master reel>>dat>>cdr
12.11.77 II of II Recreation Hall (PSU), University Park, PA 3 sdb>>master reel>>cassette>>pcm>>dat>>cdr
02.18.78 set I & IIp Marin County Veteren's Auditorium, San Rafael, CA 1 AUDMC>CDr>DAT>CDr; Recorded by Eldon Porray
02.19.78 only set IIp (missing Gamorrah) Santa Cruz Civic Auditorium, Santa Cruz, CA 1 AUDMC>CDr>DAT>CDr; Recorded by Eldon Porray
03.11.78 II of II Leroy Theater, Pawtucket, RI 2 Sony ECM-99a mics > Technics 646ds cassette deck > DAT > CDR > WAV >SHN; Recorded front row of balcony; Taper: Tom Dalti
03.18.78a & b II of II Warner Theater Music Hall, Washington, DC 3
03.19.78 II of II Stanley Theatre, Pittsburgh, PA 3 Sbd> Mreel> Cass> Dat> CDR
06.18.78 II of II (partial set II) Keystone, Berkeley, CA 2 MAC>1R>DAT>CD; Recorded by Mike Riley, unknown mics > Sony TC-158
10.07.78 II of II Keystone, Berkeley, CA 2 MAC: Sony ECM99 > Sony TC-D5 (Taped by John Angus and Scott Hart)
10.10.78 II of II Keystone, Berkeley, CA 2 MAC: Sony ECM99 > Sony TC-D5 (Taped by John Angus and Scott Hart)
Reconstruction
06.22.79 I of I Keystone, Berkeley, CA 2
07.08.79 I of I Keystone, Berkeley, CA 2
09.22.79 II of II Keystone, Berkeley, CA 2 MAC>D>CD
10.21.79 II of II Keystone, Berkeley, CA 2 Steve Spitalny's MAC w/ Naks 550> Sony D-5M>Reel>DAT>CDR
Jerry Garcia Band
11.18.79 II of II Keystone, Berkeley, CA 2 MAC: Sony ECM99 > Sony TC-D5 (Taped by John Angus and Scott Hart)
02.02.80 II of II The Stone, San Francisco, CA 2 MAC: Nak 700s>Sony TC-D5; C>D>CD; Recorded by Eldon Porray
02.07.80 II of II The Catalyst, Santa Cruz, CA 2
Source: MSC>DAT>CDR>WAV>SHN, all of first set except very beggining of Sugaree and the first two songs of the second set. Remainder of the source is from MAC (Taped by Lee Bittner, Audio Technica 801 mics > Sony TC-D5) > DAT > CD > WAV > SHN
02.12.80a & b II of II Lisner Auditorium (GWU), Washington, DC 3 MAC>D>CDR>SHN; taped by Scott Jones, FOB Shure mics > Sony TC-158 > master cassettes > DAT, DAT > cdr by Andy L, EAC > wav > shn by Don Chase, EAC, test and copy in secure mode w/ offsets enabled and w/o C2, mkwACT (seek tables apended); Notes: d2t01 SQ improves ~ 2:25
02.15.80a & b II of II Orpheum Theater, Boston, MA 3
02.17.80 II of II Laker Hall, SUNY, Oswego, NY 3 AUDMC (Keith Gatto, Nak 300s > Sony TC-D5) > C > DAT > CD; Most tunes fade or cut in, with very little lost; Lite pops @ most tracker markers as well. d1t02 FOTD cut/splice @ 0:39; d1t03 How Sweet levels jump up @ 8:46; d1t04 Catfish John cut/splice @ 10:43
02.29.80b I of I Calderone Theatre, Hempstead, NY 2 pre-FM sdb>>cassette master>>cdr
03.01.80 I of I Capitol Theatre, Passaic, NJ 1
03.08.80 II of II The Stone, San Francisco, CA 2 The DAT appears to possibly be a SBD-AUD matrix mix, but I'm not for sure. Recordings: AUD (DAT: MAC>D). De-noised in CoolEdit 96. Re-tracked in CDWAV
03.26.80 II of II Keystone, Berkeley, CA 2 MAC: Sony ECM99 > Sony TC-D5 (Taped by John Angus and Scott Hart)
07.24.80 II of II Bushnell Auditorium, Hartford, CT 2 Jim Wise recording - Sony ECM-280
07.25.80a & B II of II Orpheum Theater, Boston, MA 3 MAC>PCM>CD; Nak 700>Sony TC-D5; Steve Rolfe front row balcony. A>D: Nakamichi BX-300>Sony PCM-R500>HHB CDR-800
07.26.80e I of I Convention Hall, Asbury Park, NJ 2
MAC: Nak 300s [rear of floor, center] > Sony D5; Taped by Peter Jaeger
02.05.81 II of II Stabler Arena (Lehigh University), Bethlehem, PA 2 MC>DAT>CD>EAC>CD; Ted Eng recording - Nak 300s>Sony D5M - located just behind the board; conversion by Jim Wise
02.07.81a & b II of II Orpheum Theater, Boston, MA 3 MAC (Nak 700's->Sony TC-D5)>DAT>CD>SHN; Recorded by Steve Rolfe (Front Row Balcony)
02.10.81 II of II Bushnell Auditorium, Hartford, CT 2 Source: MAC(Senn 421's>Sony D-5)>D>CDR>WAV>SHN Taper: Jim Wise
02.11.81 II of II The Palladium, NY, NY 3 MAC > DAT > CD, recorded by Jim Wise, center loge on a stand, Beyer M 160 -> Sony TC-D5
02.13.81a & b II of II Capitol Theatre, Passaic, NJ 4 Source: MAC Sony ECM 23-f's w/Nak DM-500 blend > Nak 550; Weinberg recording
02.14.81 II of II Calderone Theatre, Hempstead, NY 2 Source: MAC Sony ECM 23-f's w/Nak DM-500 blend > Nak 550; Weinberg recording
02.15.81 II of II Esby Gymnasium, Glassboro State College, Glassboro, NJ
2 MAC: Nak DM500 > master cassette > DAT > CDR > shn; Jim Vita recording
02.22.81 II of II The Stone, San Francisco, CA 2 MAC: Technics stereo mic > Sony TC-D5; Taped by John Angus and Scott Hart
04.24.81 II of II Keystone Palo Alto, Palo Alto, CA 2
MAC: Modified Nak CM-700 mics > TC-D5> Nak Dragon playback > Cardas audiophile cables >
HHB CDR 800 master CD > Microboards QD2 CD clone > Plexwriter PX-W4824A extraction. Steven Martin recording.
08.20.81 II of II Keystone, Berkeley, CA 2 MAC > D > CD > EAC > SHN; Nak 300s with CP-4 capsules > Sony TC-D5M; Recorded by Jim Vita
08.22.81 II of II Fairfax Pavilion, Fairfax, CA 1 MAC > CD > DAT > CD > EAC > SHN; Nak CM-300s w/ CP-4 caps > Sony TC-D5m master cassette > HHb 800 CDRx0 > CDx? > EAC > re-tracking using CD Wave > SHN; Taped by Jim Vita at the soundboard
09.07.81 II of II The Concord Pavilion, Concord, CA 2 Nak 300's > Sony D-5, John Agnus recording
11.10.81a I of 1 The Palladium, New York, NY 2 Sony ECM 23fs>Sony TCD-5M (w/dolby b) @ Center Lodge Rail (this could be taped by OHR WEINBERG?? not sure, but that looks like his rig); A>D Nak DR>HHB by Jim Wise
02.04.82 II of II Keystone, Berkeley, CA 2 Source: MSC>D>CDRs; CDR>TAE>WAV>SHN
03.17.82 II of II Chico State University, Chico, CA 2 MSC>D>CD
03.22.82 II of II Keystone, Berkeley, CA 2 Source: Nak 700's>TC-D5m. (Silly Hat). Recorded by John Corley.
Garcia & Kahn
04.10.82a & b II of II Capitol Theater, Passaic, NJ 1 Source: Weinberg's MAC > Sony ECM 23-F's > Sony TC-D5m (Dolby B); Transfer: Jim Wise, Nak Dragon (Dolby B) > HHB CDR-800
Jerry Garcia Band
06.12.82 only set I Keystone, Palo Alto, CA 1 MAC>CDR>WAV>SHNv3; Microphones and taper unknown
06.16.82 II of II Music Mountain, S. Fallsburg, NY 2 FOB:MAC>Senn 421's w/ a PZM blend>Nak 550 (Rob Eaton's)>Sony D5 (Jim Wise)
Garcia & Kahn
06.28.82 I of I Opera House, Boston, MA 2
11.09.82a I of I E.M. Loew's, Worcester, MA 2 aud>>senn 441>> Sony D-5>>cassette master>>cdr
11.11.82a & b I of I Felt Forum (Madison Square Garden), New York, NY 4 FOB: Nak 700s>Sony TC-D5; Taped by Mark Cohen
11.15.82b I of I Wilkins Theatre (Kean College), Union, NJ 1
Source: MSC>C>DAT>WAV>CDR>SHN
01.24.83 II of II Keystone, Berkeley, CA 2 SBD>MC>PCM>DAT>WAV>SHN
05.28.83 II of II Cape Cod Coliseum, South Yarmouth, MA 2
Source: MAC(FOB Sennheiser 421 > Sony TC-D5M cassette deck)>D>CDR>WAV>SHN.
Taper: Jim Vita
05.30.83 II of II Bushnell Auditorium, Hartford, CT 2 AUD MCR > CD > EAC > SHN v3; Taped by Andrew Faintych using a Marantz 340 cassette deck and AKG mics resting on the rail of the balcony
05.31.83 II of II Roseland Ballroom, NY, NY 2 MAC>D>CDRs
11.25.83 II of II Cleveland Music Hall, Cleveland, OH 2 Sbd> Mcass> ??> Dat>Cdr
03.22.84 II of II Keystone, Berkeley, CA 2
Source: MAC(Nak700)>D>CD>WAV>SHN Taper: John Corley
05.18.84 II of II Irvine Meadows Ampitheater, Irvine, CA 2 Taped by Mike French from 9th row center, Senn MD 421's 90 degrees X-Y > Sony TC-D5 (pre D5M) 0db attenuation master cassette (Maxell UD-XLIIS 90min). Slight glitch(drouput) in Bass solo of Simple Twist and Rhapsody. Beginning of Rhapsody cut due to tape flip.
08.01.84 II of II The Stone, San Francisco, CA 2 MAC > Uher CR-240 > AKG CE-I; Kenny & Craig recording (a>d by Jim Wise via the cr-240 > Sony PCM R-500
08.07.84 II of II Mann Music Center, Philadelphia, PA 2 Source: Ficca FOB 10th row center Sony TCD5M with 2 Beyer Dynamic 160's -> Sony CDR-W66 -> EAC -> CDWave -> SHN
08.11.84 II of II
Caldwell College, Caldwell, NJ 2 MAC>D>CD
08.13.84 II of II Club Casino Ballroom, Hampton Beach, NH 2 mac>d>cd senn441
08.16.84 II of II Good Skates Roller Rink, East Setauket, NY 2
MAC (Taped by Joe D'Amico, Nakamichi CM-300 mics > Sony D5) > Ultracurve Pro-Digital 24 bit DSP mainframe > HHb master CD > CDs > HP 9350i extraction (EAC v0.9 beta 4) > re-tracking (CD Wave v1.6) > sector boundary verification
(shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). CD > SHN by Joe Jupille
08.18.84 I of I UIC Pavillion, Chicago, IL 1 source: Aud>MC>Dat>cdr; Nak cm100 Shotguns>D5>Dat>cdr 10th Row Center FOB; Taper: Brian O'Connell
Garcia & Kahn
11.18.84 II of II Avery Fisher Hall, New York, NY 2 Aud (MAC>Dat>cdr) on tdk sax c-90 no dolby lineage: AKG CE-1>Uher Cr-240, 4th row center Kenny Mance Master; a>d conversion by Jim Wise, via playback on an uher cr-240 > sony pcm p-700 dat @ 44.1k Dat > cd via the hhb cdr-800
11.23.84 II of II Chrysler Auditorium, Norfolk, VA 2
Source: MAC (mics and taper unknown)>CDR>WAV>SHN
Jerry Garcia Band
08.05.85 II of II The Stone, San Francisco, CA 2 MAC: (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage in the first row of tables, dead center] > Sony TCD5M [3rd deck patch]) > Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1 > CDWav beta1.6 (tracking only) > SHNv3 (MKW ACT). Analog and Digital Mastering by Charlie Connor
08.09.85 II of II The Stone, San Francisco, CA 2 MAC: (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage in the first row of tables, dead center] > Sony TCD5M [3rd deck patch]) > Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1 > CDWav beta1.6 (tracking only) > SHNv3 (MKW ACT). Analog and Digital Mastering by Charlie Connor
Garcia & Kahn
10.16.85a & b I of I The Catalyst Club, Santa Cruz, CA 1 MSP>DAT
01.27.86 II of II The Ritz, NY, NY 1
Jerry Garcia Band
05.30.86 II of II The Stone, San Francisco, CA 2
10.04.86 II of II The Stone, San Francisco, CA 2 Source: Nak 700s ~> Sony TC-D5m (Silly Hat Productions); John Corley recording; Transfer by Dan Ward
10.15.87 II of II Lunt-Fontanne Theatre, NY, NY 2
05.06.88 II of II Old Fillmore, San Francisco, CA 2 FOB Schoeps CMC3/MK4>DAT>CD
Jerry Garcia Acoutic Band
07.09.88 II of II Frost Amphitheatre, Stanford, U, Palo Alton ,CA 2 FOBNak 700>TCD5M; John Corley FOB Silly Hat
Jerry Garcia Band
10.31.88 II o II Henry J. Kaiser Conevntion Center, Oakland, CA 2
11.05.88a & b II of II Caeser's Tahoe, Stateline, NV 2 MAC: NAK 700s > D > CDR > WAV > SHN
01.28.89 only set II Orpheum Theater, Boston, MA 1 Source: MSC -> 1V (Hi-Fi) -> DATs -> Digi001 -> SHN; Transfer: Sony PCM-M1@48kHz -> Optical S/PDIF -> Digidedesign 001 -> HD as Sound Designer 2 @48kHz -> Pro Tools LE (Tracked, downsampled to 44.1kHz, and converted to Wave) -> SHN
05.19.89 II of II Irvine Meadows Ampitheater, Irvine, CA 2 AUDMD w/ Senn MKE2002's omnis > Sony TCD-D10 DAT > DAT clone > playback on Tascam DA-20mkII DAT > Marigo Audio Lab Apparition Reference Coaxial / RCA cable > Tascam 700 CDRW master CD > Marantz CDR 550 Dual Well Recorder CD clone (DAO, 1x) > CDR
09.02.89 II of II Merriweather Post Pavillion, Columbia, MD 2
09.05.89 II of II Civic Center, Hartford, CT 2 DVD
09.16.89 II of II Poplar Creek Music Theatre, Hoffman Estates, IL 2 FOB: 5th row left side, Nak CM100 > Sony D6 Cm > CD; Recorder by Brian O
03.01.91 II of II Warfield Theater, San Francisco, CA 2 FOB->B+K 4011->Neumann PS->Dat->CD >EAC>SHN; Dat->CD Done by Charlie Miller.
08.05.90 II of II U. C. - Berkeley, Greek Theatre, Berkeley, CA 2 Nak300>SonyD3D>CD
09.01.90 II of II Shoreline Amphitheater, Mountain View, CA 2 FOB: Nak 700's>dat>cdr>eac>cdr
12.22.90 II of II San Francisco Civic Auditorium, San Francisco, CA 2 FOB:audmd>dat>cd nak700
04.21.91 II of II Warfield Theater, San Francisco, CA 2 Source: FOB Schoeps CMC34> Oade Power Supply > Panasonic SV-255 Tranfer: DAT clone (Sony DTC-A6) > Dio 2448 > Soundforge 4.5 > CD WAV > Shn by Bill Gardner, bgardner@telocity.com
08.10.91 II of II French's Camp on the Eel River, Piercy, CA 2
Garcia/Grisman Band
08.25.91 II of II Goldcoast Concert Bowl, Squaw Valley, CA 2 MSD>DAT>CDR>EAC>SHN; Notes: (1) The wind noise is very noticeable, even in the SBD tapes; (2) Dropout at 0:28 in Two Soldiers
Jerry Garcia Band
11.15.91 II of II Madison Square Garden, NY, NY 3 A: D>CDR>EAC>SHN; rig: Beyer M-160's>vafiades acoustics micro amp pro II (preamp)>Sont TCD-D3; taper: Anne Cohen & OHR Weinberg
11.19.91 II of II Providence Civic Center, Providence, RI 3 VCD

11.20.91 II of II Rochester War Memorial, Rochester, NY 2 Good sounding audience, with some chatter and an odd very mild feedback during Shining Star
10.31.92 II of II Oakland Coliseum, Oakland, CA 2
08.08.93 II of II Portland Meadows, Portland, OR 2 Nak 700>Sony D3 D>CD
08.14.93 II of II Shoreline Amphitheater, Mountain View, CA 3 Nak 700>Sony D3 D>CD
11.07.93 II of II Capitol Center, Landover, MD 2 Mastered live FOB DFC from: Section 2, Row S, Seat 7 by Clay C.Brennecke and Dave Howard using: Schoeps MK4 at 110 degrees handheld both Sets > Active Cables > Oade Microphone Preamp > Panasonic SV-255 Professional DAT machine on an Ampex 467 R-90 Mastering Audio Cassette. Set II: AUD (Schoeps MK4) > DAT > CDR > WAV > SHNv3 (missing...TWYDTTYD)

The Allman Brothers
03.16.00 II of II Beacon Theatre, New York, NY 3
04.07.07 II of II Snow King, Jackson Hole, WY 2
07.04.06 II of II Beacon Theatre, New York, NY IPOD
07.04.07 II of II Beacon Theatre, New York, NY 2
source: neumann km184 mics > benchmark sonic a/d 2k plus > lunatec v2 > sony pcm1 > cd (1) > cdparanoia > flac-1.1.4 (8)
07.08.18 II of II Mt. Laurel Center, Bushkill, PA IPOD

Black Crowes
The Band Demo's
Southern Harmony & Musical Companion Outtakes
Sweet Pickle Salad - demos
Tall Sessions!
09.28.92 I of I Sunrise Musical Theater, Sunrise, FL 2
02.03.95 I of I Musikhalle, Koln, Germany 1 DVD
03.22.95 I of I Beacon Theatre, NY, NY 2
04.21.95 I of I Knoxville Civic Auditorium, Knoxville, TN 2 Aud
04.07.95 I of I Tampa Stadium, Tampa, FL 1
05.01.95 I of I Austin City Coliseum, Austin, TX IPOD
05.17.95 I of I Pantages Theater, Los Angeles, CA 2
06.23.95 I of I Glastonbury Festival, Pyramid Stage, Worthy Farm, Pilton, England I DVD
08.24.95 I of I Mann Music Center, Philadelphia, PA IPOD
07.20.96 I of I Stone Pony, Asbury Park, NJ 2
07.23.96 II of II Supper Club, NYC, NY 2
09.24.96 I of I Paramount Theatre, Seattle, WA 2
10.01.96 I of I American Theater, St. Louis, MO 2 SBD
10.04.96 II of II Taft Theater, Cincinnati, OH 2
Nak cm300's > Sony D8; Transfer: CDR > EAC > WAV > FLAC
10.05.96 II of II Taft Theater, Cincinnati, OH IPOD
10.06.96 I of I Aragon Ballroom, Chicago, IL IPOD

10.22.96 I of I SUNY Plattsburgh Field House, Plattsburgh, NY 2
10.28.96 I of I Oakdale Theatre, Wallingford, CT 2 DAUD
10.30.96 I of I Beacon Theatre, NY, NY 2
10.31.96 I of I Beacon Theatre, NY, NY 2
11.04.96 The Strand, Providence, RI IPOD
11.15.96 I of I Rockpalast Festival, Grugahalle, Essen, Germany 1 DVD
11.23.96 I of I Ovens Auditorium, Charlotte, NC 2
12.06.96 I of I Heyman Performing Arts Center, Lafayette, LA 2
12.15.96 I of I The Joint @ The Hard Rock Hotel, Las Vegas, NV 2 SBD
02.19.97 I of I Elysee Montmartre, Paris, France 1
02.20.97 I of I Ancienne Belgique, Brussells, Belgium 2
02.23.97 I of I Royal Albert Hall, London, England 2
05.01.95 I of I Austin City Coliseum, Austin, TX 2
06.22.97 I of I Lakewood Amphitheater, Atlanta, GA 1 SBD
07.08.97 I of I Darien Lake Performing Arts Center, Darien Lake, NY 1
07.12.97 I of I Polaris Amphitheater, Columbus, OH 1
07.16.97 I of I Riverfront Amphiteatre, Cincinnati, OH 1
04.22.05 I of I Jazzfest, New Orleans, LA 2
04.29.05 I of I Civic Auditorium, Knoxville, TN 2
05.05.05 I of I The Tabernacle, Atlanta, GA
2
05.07.05 II of II The Tabernacle - Atlanta, GA 2 DVD
05.24.05 II of II Revolution, Ft. Lauderdale, FL 2 DVD
05.13.05 I of I Hampton Beach Casino, Hampton Beach, NH
08.09.05 II of II Fillmore, San Francisco, CA 2 2-Sennheiser ME66/K6->Lunatec V3->Sony TCD-D100; Transfer: Sony TCD-D100->Edirol UA-1A->Apple PowerBook G4; Taper: Lee Ramsey
08.24.05 I of I Sleep Train Amphitheater, Marysville, CA 1 CMC8 (FOB) > M1 > SoundForge > EAC > FLAC5
09.29.05 II of II Tower Theater, Upper Darby, PA 3
Source:Schoeps MK41(DINA)->KC5->CMC6->V3->->VX pocket V2->fujitsu 7010->Wave Lab 5.0 (24/48); Transfer:Wavelab 5(resample,dither)->cd wave->flac; Taped and Transferred by: Jon Merin
10.21.05 II of II Henry Fonda Music Box Theater, Los Angeles, CA 3
03.10.06 II of II House of Blues, Myrtle Beach, SC 3
04.14.06 II of II Rose Theater, NY, NY 2
08.05.06 I of I Riverbend Music Center, Cincinnatti, OH IPOD
06.28.06 I of I Verizon Wireless Amphitheater, Birmingham, AL 2
07.11.06 I of I Verizon Wireless Amphitheatre, Charlotte, NC 2
07.29.06 I of I Penns Landing - Festival Pier, Philadelphia, PA 2
08.05.06 I of I Riverbend MusicCenter, Concinnati, OH 2
08.03.07 I of I Riverplace Stage, Musikfest, Bethlehem, PA IPOD
10.24.07 I of I Thomas Wolfe Auditorium, Ashville, NC 2 Aud
05.03.08 I of I Sunfest, West Palm Beach, FL IPOD
07.01.08 I of I Theater of Living Arts, Philadelphia, PA 2 AUD
07.02.08 I of I Theater of Living Arts, Philadelphia, PA IPOD
07.03.08 I of I Theater of Living Arts, Philadelphia, PA IPOD
07.30.08 I of I House of Blues, Cleveland, OH IPOD
12.18.08 I of I The Fillmore, San Francisco, CA IPOD
12.20.08 I of I The Fillmore, San Francisco, CA IPOD

Blue Floyd
01.21.00 II of II Keswick Theatre, Glenside, PA 2
01.31.00 II of II Wetlands, NY, NY 3
02.12.00 II of II Variety Playhouse, Atlanta, GA 3
06.20.00 II of II Wetlands, NY, NY 3
Source: Sony ECM-MS907 (next to SBD, DFC, 20' from stage) > Sony MZ-R55 Minidisc Transfer: ?? > CD WAV > Audiograbber 1.80 > FLAC Frontend; Recorded by Jordan Miller

Bob Marley
07.19.75 ? The Lyceum, London, UK 1

Bruce Hornsby
09.03.95 II of II FM Kirby Center, Wilkes Barre, PA 3
DSBD> CD-R> EAC> FLAC

Chirs Robinson - solo
02.08.25 ? Park West, Chicago, IL 2
03.11.13 I of I Filmore, Denver, CO 1 FOB
03.11.15 I of I Cervantes, Denver, CO 2 FOB
06.11.04 I of I Bonnaroo, Manchester, TN 2
04.07.05 I of I Snow King, Jackson Hole, WY 1
04.14.06 I of I Rose Theater, NY, NY 2

Derrick & The Dominos
10.23.79 II of II 2 Source: SBDMC>DAT>CD

Dire Straits
04.01.79 I of I The Boarding House, San Francisco CA 1 Source:SBD > master reel > DAT(s) Conversion: Tascam DA-20 @ 48.0 kHz > ZA-2 resample to 44.1kHz on the fly > HD using Cool Edit > CDWave > track waves > CD-R master using CDRWin Extraction: CD-R master > EAC > HD > MKW shorten > .shn Brought to by Uncle John, johm@coresoft.com.

Govt' Mule
01.06.96 I of I Cotton Club, Atlanta, GA 2
12.21.00 I of I Thomas Wolfe Auditorium, Ashville, NC 1
12.31.02 II of II Beacon Theatre, NYC, NY 3 FOB
10.10.03 II of II Electric Factory, Philadelphia, PA 3 SCHOEPS CMC6/MK41?s > LUNATEC V3 > SONY D8 > TASCAM DA-P1
11.13.03 II of II Filmore, Denver, CO 3 FOB: Neumann u89i (card/din) > Oade m148 > Mod-SBM-1 >D8; taped by Tim Markham
11.14.03 I of I Filmore, Denver, CO 2
11.15.03 I of I Filmore, Denver, CO 2
11.16.03 I of I Filmore, Denver, CO 1
12.31.03 II of II Beacon Theatre, New York, NY 3 Source: FOB/ROC clamped to loge balcony > Neumann KM-150 Apogee MiniMe (16b/48KHz) > Sony PCM-M1. Recorded by: Gary Comley
12.30.04 II of II Beacon Theatre, New York, NY 3
02.02.05 II of II Bowery Ballroom, New York, NY 3
10.17.06 II of II Commodore Ballroom, Vancouver, BC 2
10.31.07 II of II O'Shaughnessy Theatre, St. Paul, MN 2 Nak CM1000/CP-101 >BBee hypers>Oade T+mod UA5 (opti @16/48) > JB3 wav
12.31.07 II of II Winter of Love, Beacon Theater, NY 4 Aud

Marc Ford
08.07.97 show is 1 set
07.26.02 show is 1 set The Malibu Inn, Malibu, CA 2
11.15.02 show is I set Tabernacle, Atlanta, GA 1
12.21.02 show is I set Club 1650, Hollywood, CA 2
04.17.06 I of I King King, Hollywood, CA 2
10.06.07 I of I Smith's Olde Bar, Atlanta, GA 2
04.26.08 I of I Berkley, CA 1
Marc Ford & Govt' Mule - No Date

The Other Ones
09.16.00 show is I set E Center, Camden, NJ 3
12.31.00 I of I Oakland Coliseum, Oakland, CA 3
11.23.02 II of II First Union Spectrum, Philadelphia, PA 3 rec: Neumann TLM 170's(hypercardiod setting)7' stand front row of ts dead center >Apogee Minime> Sony PCM-M1; transfer:tascam DA 30mkII>zoltrix nightengale 6.0 @44.1>soundforge 6.0 >cdwav > mkw >shn>(cd)
11.24.02 II of II First Union Spectrum, Philadelphia, PA 3 Audience (taper) DAT > WAV > SHN > CD

Phil & Friends
04.15.99 II of II Warfield Theatre, San Francisco, CA 4
04.15.00 II of II Tower Theater, Upper Darby, PA 3
09.21.00 show is I set Roseland Ballroom, NY, NY 1
10.21.00 II of II The Riviera Theatre, Chicago, IL 3
10.24.00 II of II Denver Fillmore, Denver, CO 3
10.27.00 II of II House of Blues, Las Vegas, NV 3
10.28.00 II of II Wiltern Theater, Los Angeles, CA 3
11.15.03 II of II The Fillmore, Denver, CO 3 Source: DFC/TS/DIN Schoeps cmc641->Oade m148-> Mod-SBM-1@48k DA20->VX Pocket V2->Wavelab (resampled to 44.1k)->CDWAV->FLAC; Taped and transferred by Tim Markham
11.21.05 II of II Sovereign Center, Reading, PA 3

Ratdog
11.27.00 II of II
12.21.02 I of I Ashville Convention Center, Ashville, NC 1

Quarter Roy
01.27.02 show is I set The Malibu Inn, Malibu, CA 1
02.12.02 show is I set The Malibu Inn, Malibu, CA 1

Rolling Stones
07.09.75 II of II Great Western Forum, Inglewood, CA 2 SBD
09.08.02 I of I Orpheum Theatre, Boston, MA 2 Nak 700's->Sony D-8->20 bit dig re-master->CD

Stevie Ray Vaughn
03.25.87 1 of I The Ocean Center, Daytona Beach, FL 1 liberated bootleg

Traffic
02.21.72 ? Santa Monica Civic Center, Santa Monica, CA 1 SBD>VHS>MD>CDR

Widespread Panic
03.04.88 III of III Captain Harry's, Charleston, SC 3 sbd>dat>cdr
01.13.90 II of II Greenstreet's, Columbia, SC 2 Remastered, Tracked, & Seeded By: Michael Wilker mwilker-at-comcast.net Source: SBD / XLII-S analogue Transfer: (XLII-S)WA7ESA~> Lunatec V3@24/96~> BehringerDEQ24/96~> Audiophile24/96~> WaveLab5(fadeI/O, dither/resample>16/44.1)~> CDWave(track)~> TLH~> FLAC8
09.27.94 I of I Memorial Auditorium, Jacksonville, FL 1
04.07.95 II of II Irving Plaza, NY, NY 2
08.06.95 II of II Centennial Quarry, Toledo, OH 2
06.16.96 II of II American Theatre, St. Louis, MO 2
03.18.97 II of II Emerson Theater, Bozeman, MT 3
03.19.97 II of II Emerson Theater, Bozeman, MT 3 SBD
03.28.97 II of II The Warfield, San Francisco, CA 3 SBD
04.27.97 II of II Memorial Auditorium, Burlington, VT 3 SBD
05.07.97 II of II The Palace Theatre, Louisville, KY 2
04.20.01 II of II Chilhowee Park, Knoxville, TN 3 source: akg 460/ck61>V2>SBM1>D8>D8 (JK's rig, my D8 patched); transer: DAT>pc>wav>FLAC
08.10.06 II of II Blossom Music Center, Cuyahoga Falls, OH 3
09.22.06 II of II Agganis Arena, Boston, MA 3
10.30.06 II of II MGM Grand, Las Vegas, NV 3 Source: Schoeps MK4 > KCY > VMS02iB > Tascam HD-P2(@96k/24bit); FOB DFC, run DINa on 7' Stand Transfer: Flash Card > USB > Wavelab 4.0(fades and Batch Processing(SRC and Apogee UV22HR Dithering)) > Flac (LVL6 and Align On Sector Boundaries)
04.07.07 II of II Warner Theater, Washington, DC 3 Source: mk41 > kcy > vms02ib > tascam hd-p2 (24/96); Location: Row H, DFC, 7' Stand, DINa; Transfer: CF > Wavelab (dither-uv22hr-/resampled) > SHNtool > FLAC (lvl 6); Taped and transferred by Todd (titotito at gmail)
04.06.08 II of II Palace Theater, Albany, NY 2
05.03.08 II of II Grand Prarie, TX 3
10.17.08 II of II Lakewood Amphitheatre, Atlanta, GA 3 Source: Schoeps mk41v(dina) > kc5 > m222 > nt222 + mk21(nos) > kcy > vms5u > 744t (24/48); location: fob/dfc/row U
dsp: 744t > wavelab5 > cdwave > wavelab5 > flac(8); recorded & seeded: charles fox

Miscellaneous
Alembic Studio Outtakes 1968 1
The Blues Brothers 12.31.78 1 FMSB?? - very good sound but exact lineage is unlnown
Go Ahead 1st & 2nd Shows 10.29.86 3 SBD>MAC>CASS>DAT>CD>EAC>CDWAV>SOU NDFORGE>S HNv3
Jerry Garcia Box Set 4
Wake of the Flood Outtakes 1 Betty Cantor reels>PCM>DAT DAT>DIO 2448>SHN
One For Woody 9.21.00 4 of 4 Schoeps CMC64V (ORTF) > Apogee AD1000 > ? Taped by: Gary Fox / Conversion: Stan Lobitz (DAT > Zefiro ZA-2 > CD Architect/Soundforge > CD-R) and Daniel Blanchat (CD > EAC > SHN); Black Crowes set restored to its own disc (it was delivered as filler on two of the discs), with fades removed, by Michael Hackett with WaveBurner (SHN > WB > CD > Ultraplex 32 > SHN)
Robert Plant & Jimmy Page 2.26.98 2
Spodek Hall, Katowice, Poland DSBD>CDR>EAC>WAV>SHN>MKW>CD